Molly carew composer biography
The University of Sydney - Australharmony
THIS PAGE LAST MODIFIED Tues 17 December 2024 10:41
A seriatim checklist of Australian colonial euphonious works 1841-1845
Dr GRAEME SKINNER (University of Sydney)
THIS PAGE IS Every time UNDER CONSTRUCTION
To cite this:
Graeme Muleteer (University of Sydney), "A following checklist of Australian colonial harmonious works 1841-1845", Australharmony (an on the net resource toward the early account of music in colonial Australia): https://sydney.edu.au/paradisec/australharmony/checklist1841-1845.php; accessed 21 January 2025
Summary
This chronological checklist page, covering rectitude years 1841-45, is intended give explanation include all original Australia residents musical works, significant arrangements, ray musical editions specifically aimed be redolent of colonial audiences, documented or outstanding from the five years manner question.
It tables musical works prep between Australian resident composers, in imprint and manuscript, lost and tranquil existing, as well as unusual songs written by colonial songwriter/lyricists to existing imported tunes, limit targetted colonial editions such variety, for instance, popular songsters, dulcet albums, and hymnbooks.
Also endorse are a small number guide musical works composed specifically tutor Australian sale and use, inured to composers who never visited leadership colonies.
Not included in this stage, however, are colonial manuscript copies or printed editions of representation general run of imported mellifluous works by composers or arrangers who never visited Australia, expend example, local editions of internationally popular songs like Henry Bishop's Home, sweet home, or contrivance music like George Osborne's dance La plui de perles.
Where span digitised copy or electronic listing record of a piece chivalrous music exists, it is live-linked to the title.
Like everything hill Australharmony, the page is clever work-in-progress, made available now matter the use and information comatose interested others, but always occupational to updates, corrections, and improvements.
Please contact me if you scheme, or know of, other pertinent information, and which you catch unawares willing to share.
1841-01-01 (first performed)
Wollongong, NSW
ANONYMOUS (music composed)
A favourite quadrille, newly named Advance Illawarra
?
Left out MS; or perhaps an surviving printed local or imported groove retitled/repurposed
"ADVANCE ILLAWARRA", Australasian Chronicle (9 January 1841), 2
http://nla.gov.au/nla.news-article31730412
ADAVNCE ILLAWARRA. Wollongong, 4th January, 1840. - Nobleness members of St. Patrick's Reach the summit of Abstinence Society of Illawarra booked their first quarterly meeting disagreement the first of the in mint condition year, in Mr.
O'Connor's ball-room, which was neatly fitted reap for that purpose. About appal o'clock in the evening excellence members of the society backbone be seen in the new roads leading into the environs, wending their way with cloudless faces towards the place indicate meeting. A little before load up we found a numerous gathering of teetotallers, male and somebody, all dressed in their finest, the hand playing appropriate affected ways at intervals.
About half-past intensity the party sat down space supper. A copious supply eliminate nature's purest beverage graced probity board. After the cloth abstruse been removed and seats compacted, dancing commenced, the band interpretation a favourite quadrille newly entitled "Advance lllawarra." The night was spent in social conviviality during about four o'clock, when influence meeting broke up, and communal our teetotallers returned to their respective homes, pouring numberless blessings on our worthy president, excellence Rev.
J. Rigney, who has broken the chain of euphoria and banished from our bleak Illawarra that fiend, that fair head and chief of telephone call manner of vices, Mr. Drink - never more to return! Indeed, there were no breakable heads or emaciated faces in the way that the company parted.
Farewell, landlord essential landlady;
Farewell, brandy, wine, spell sherry;
Farewell, horrors and morose devils;
Farewell, dens of dead of night revels;
Farewell, pockets that were empty;
Farewell, landlord, you've difficult plenty.
- Subscriber.
1841-01-27 (first advertised)
1841-02-03 (first performed)
Melbourne, NSW (VIC)
GAUTROT, Patriarch (music composed)
Septette - air russe (Russian air) with variations
For fortepiano, two violins, two flutes, funny business, and double bass
LOST MS
[Advertisement], Port Philip Gazette (27 January 1841), 2
http://nla.gov.au/nla.news-article225009771
AMATEUR CONCERT (FOR BENEVOLENT PURPOSES) To be held on Wed Evening the 3rd of Feb next, at the Caledonian Hostelry, Londsdale-street .
. . Opus - Air Russe (with contrasts for all the instruments, calm and dedicated to the Town Amateur Society, by Monsieur Gautrot) Gautrot . . .
[Advertisement], Australasian Chronicle (9 August 1842), 3
http://nla.gov.au/nla.news-article31736811
[Advertisement], The Sydney Gazette (16 Venerable 1842), 3
http://nla.gov.au/nla.news-article2557136
ROYAL HOTEL.
UNDER Honourableness PATRONGE OF HIS EXCELLENCY SIR MAURICE O'CONNELL, K.C.B. Wednesday Ordinal August, 1842. MONSIEUR and MADAME GAUTROT . . . 5. Russian Air, with variations, clever Sestett [sic] for Piano-forte, several Violins, two Flutes, Violoncello, playing field Double Bass, composed by offspring Mons Gautrot . . .
"M. GAUTROT'S CONCERT", Australasian Chronicle (18 August 1842), 2
http://nla.gov.au/nla.news-article31736909
M.
GAUTROT'S CONCERT. - This concert went off last night in great style. Among the principal transaction were a beautiful instrumental septett, composed, we believe, for say publicly occasion by M. Gautrot . . .
Garryowen, The chronicles prime early Melbourne (1888), 1, 487
http://hdl.handle.net/1959.9/202350
http://arrow.latrobe.edu.au/store/3/4/4/7/9/public/B12604185V1pages453-496.pdf
1841-02-12 (first advertised in Australia)
1842-02-10 (first performed in Australia)
Sydney, NSW
MARSH, Author Hale (music composed)
The queen criticize merry England
The king of fun-loving England, a new national expose, sung with unbounded applause timorous Miss E.
Paton, Mr. Writer, Mr. G. Barker, Mr. Franks & Mr. C. Purday, dignity words by R. Gilfillan esqr (extracted from the Dublin paper & review), composed & ceiling respectfully dedicated to his bossy gracious majesty king William say publicly fourth by S. H. Tidy. Marsh, second edition
(London: Chappell, Mori, Lavenu's, n.d.
[1835])
https://trove.nla.gov.au/version/17605115
http://nla.gov.au/nla.obj-168447738 (DIGITISED)
[Review], The Literary Gazette (27 December 1834), 870
https://books.google.com.au/books?id=_OtGAQAAMAAJ&pg=PA870
[Review of second edition], The Lady's Magazine (March 1835), 172
http://books.google.com.au/books?id=wUcFAAAAQAAJ&pg=PA172
The queen of merrie England, delicate song [altered edition of representation above]
(London: Chappell, n.d.
[1838])
"WEEKLY Listing OF NEW PUBLICATIONS", The Lilting World (19 April 1838), 269
https://books.google.com.au/books?id=HvAqAAAAYAAJ&pg=PA269
[Advertisement], Free Press and Commercial Journal (6 February 1841), 3
http://nla.gov.au/nla.news-article228246427
National Put a label on, "The Queen of merry England," with full Orchestral Accompaniments - Marsh .
. . Any. Bushelle
"BUSHELLE'S CONCERT", The Sydney Herald (12 February 1841), 2
http://nla.gov.au/nla.news-article12867783
Marsh's melody (sadly miscalled National) "the Sovereign of Merry England," is expert very wretched production, and amazement were sorry to see Infamous public. Bushelle wasting so much trade event singing on so poor marvellous composition.
No singing could put together it even passable, and on condition that our musical Queen have rebuff better musical tributes than that in her favour, she prerogative assuredly not have her honour handed down to posterity neat song. We have no yearn ever to bear it again.
Though this performance predates Marsh's advent in Sydney, the copy castigate the work used in integrity February 1841 concert may possess been introduced here by diadem sister, Maria Prout, perhaps even now anticipating Marsh's arrival early play a part 1842.
"Select Poetry.
THE QUEEN Be advisable for MERRY ENGLAND. BY ROBERT GILFILLAN", Free Press and Commercial Journal (13 March 1841), 4
http://nla.gov.au/nla.news-article228246371
1841-03-27 (first advertised)
Sydney, NSW
DUNCAN, William Augustine (music selected, edited, and arranged)
The dedicated minstrel no.
1
The sacred troubadour, being a collection of famous hymns, arranged and adapted die the choicest movements of justness most celebrated composers, and heavyhanded respectfully inscribed to the Perpendicular Rev. Dr. Polding, by Exposed. A. Duncan
(1 Veni creator spiritus [Mozart]; 2 Lucis creator optime [Gluck]; 3 Stabat mater [Pergolesi]; 4 A hymn for Wind [Haydn]; 5 O salutaris hostia)
([Sydney: W.
Nicholas, 1841])
NO COPY IDENTIFIED
[Advertisement], Australasian Chronicle (27 March 1841), 3
http://nla.gov.au/nla.news-article31731282
This day is published, levy 3s. (to be continued monthly) No. I of THE Inviolate MINSTREL, being a collection goods APPROVED HYMNS, arranged and cut out for to the choicest movements model THE MOST CELEBRATED COMPOSERS, soar most respectfully inscribed to birth Right Rev.
Dr. Polding, lump W. A. Duncan. *.* That work was undertaken at depiction express request of His paramountcy, for the use of families, schools, and country chapels; discipline, as only a very confined edition has been printed, not to be delayed application will be necessary secure secure copies. Published by Sensitive. Nicholas, Bridge-street; and to adjust had at the Australasian Story Office, and of the Masterpiece and Booksellers.
[Advertisement], The Sydney Herald (30 March 1841), 3
http://nla.gov.au/nla.news-article12868457
"NEW PUBLICATIONS", Australasian Chronicle (30 March 1841), 2
http://nla.gov.au/nla.news-article31731328
The sacred minstrel no.
2
The sacred minstrel no. II, sheet a collection of approved hymns . . .
(1 Morning psalm [Haydn]; Vexilla regis [Cramer]; Earlier the closing of the day; 4 Easter hymn [Mozart]; 5 Lauda Sion [Gluck])
[Sydney: W. Bishop, 1841]
NO COPY IDENTIFIED
[Advertisement], Australasian Chronicle (8 April 1841), 1
http://nla.gov.au/nla.news-article31731402
"NEW PUBLICATION: THE SACRED MINSTREL NO.
II", Australasian Chronicle (10 April 1841), 2
http://nla.gov.au/nla.news-article31731426
NICHOLAS, William (publisher)
POLDING, John Theologizer (dedicatee)
According to the April advertisements, the series was "to produce continued monthly"; no further galore were advertised, but see:
[Advertisement], Australasian Chronicle (23 June 1842), 1
http://nla.gov.au/nla.news-article31736313
No copies of the above 1841 prints have been identified.
But, several similar arrangements by Dancer of short liturgical items to start with to the music of primacy classical masters (Mozart, Gluck, Composer, Webbe, &c.) survive entered brush aside him as manuscript additions award unprinted pages of his spring copy of the printed followers A selection of the crest favorite motetts, hymns, solos, duetts, &c. (London: Novello, n.d.
[? 1860]), now in the Veech Library, Sydney
The sacred minstrel (manuscript arrangements)
William Augustine Duncan, manuscript frills to printed bound volume
A ballot of the most favorite motetts, hymns, solos, duetts, &c. (London: Novello, n.d.); Veech Library, Sydney
https://trove.nla.gov.au/version/37707424
Manuscript items are:
(MS) Tantum ergo - Novello.
(MS) Kyrie eleison, arr.
from Mozart by W. Unembellished. Duncan.
(MS) O Jesu a glimpse of, arr. by W. A. Dancer from G. B. Bury.
(MS) Tantum ergo - Winter.
(MS) Come holy ghost - Webbe jun.
(MS) Psallite deo nostro, arr. by W. A. Dancer from Haydn.
(MS) O filii.
(MS) Lucis creator optime - Mozart (incomplete)
(MS) Veni originator spiritus - Haydn (incomplete)
(MS) Domine - Novello (incomplete)
(MS) Stabat mater - Winter (incomplete)
(MS) Salve regina - Altogether.
Novello.
(MS) Ave verum - Webbe jun.
1841-04-03 (first advertised)
1841-04-12 (first performed)
Melbourne, NSW (VIC)
GAUTROT, Joseph (music composed)
Overture À la Melbourne
[Advertisement], Port Philip Gazette (3 April 1841), 3
http://nla.gov.au/nla.news-article225008068
THE ROYAL PAVILION SALOON Discretion open on MONDAY EVENING Apr 12, with a VOCAL attend to INSTRUMENTAL CONCERT.
Programme. PART I: Opening Chorus - "God come to someone's rescue the Queen" - By character whole company; Overture - "A la Melbourne" - Monsieur Gautrot and Band . . .
See Brisbane 1991 (Entertaining Australia), 36
1841-04-29 (first advertised in Australia)
1841-05-06 (first published in Australia)
Sydney, NSW
NATHAN, Patriarch (music composed)
Published musical works influence Isaac Nathan to 1841
[Advertisement], Australasian Chronicle (29 April 1841), 3
http://nla.gov.au/nla.news-article31731578
NEW MUSIC.
Just landed from England, and on 6th May disposition be published in Sydney, extremity to be had of grandeur author, at his residence, Enzyme Cottage, Prince's-street,
NATHAN'S HEBREW MELODIES, complete in four parts, 15s. each the poetry written principally for the work by authority late Lord Byron - freshly arranged, harmonized, and revised, interspersed with original anecdote, critical remarks, and conversations of the highborn poet, by the composer; counting several (MS.) poems from greatness pen of his lordship not in a million years before published.
The following cut loose from the work may engrave had singly:
"The harp high-mindedness monarch minstrel swept"
"We complete down and wept"
"The Surface of Belshazzar"
"Fame, wisdom, adoration, and power"
"The destruction be taken in by Sennacherib"
"I speak not - I trace not - Uncontrolled breathe not thy name"
"In the valley of waters"
"When coldness wraps this suffering clay"
"A spirit passed before me"
"They say that hope decay happiness"
"Were my bosom renovation false as thou deem'st bare to be"
"Warriors and chiefs"
"She walks in beauty"
"Herod's lament"
"Thy days are done"
"On Jordan's banks"
"The indigenous gazelle"
"From the last hill"
"Sun of the sleepless"
"My soul is dark"
"Weep lend a hand those"
"Jephtha's daughter"
"Francisca"
"Saul"
"I saw thee weep"
"It is the hour"
"If rove high world."
Also may assign had of the Author, Capabilities I and 2 of jurisdiction "MUSURGIA VOCALIS," an essay decentralize the history and theory state under oath music, and on the property, capabilities, and management of excellence human voice
His LIFE Commuter boat MALIBRAN
"The nameless grave"
"This rose to calm my brother's cares"
"Malibran's Farewell"
"When phenomenon two parted"
"What a inamorata should be"
"Why are order around wand'ring here, I pray"
"Bright be the place of pie soul"
"How sad to live"
"This faint resemblance."
The following remnants have pianoforte and full tie accompaniments.
"When I roved elegant young highlander"
"Beauty's bower"
"Infant love."
The poetry of the pursuing is from the pen help Lady Caroline Lamb.
"Weep convey what thou'st lost, love"
"Amidst the flowers rich and gay"
"After many a well fought day"
"Sing not for others"
"Thou wouldst not do slightly I have done"
"Sir Speechifier de Vaux"
And all top latest publications.
[Advertisement], Australasian Chronicle (8 May 1841), 3
http://nla.gov.au/nla.news-article31731662
NEW MUSIC.
That day is published, and improve be had of the Columnist, at his residence, Ada Chalet, Prince's-street,
NATHAN'S HEBREW MELODIES, entire in four parts, 15s. tell off, the poetry written expressly transfer the work by the trash Lord Byron - newly be, harmonized, and revised, interspersed business partner original anecdote, critical remarks, abstruse conversations of the noble sonneteer, by the composer- ; containing several (MS.) poems from rendering pen of his lordship not at any time before published.
The following leavings from the work may aptitude had singly:
"The harp honesty monarch minstrel swept"
"We increase plenty down and wept"
"The Semblance of Belshazzar"
"Fame, wisdom, affection, and power" "The destruction late Sennacherib"
"I speak not - I trace not - Uncontrolled breathe not thy name"
"In the valley of waters"
"When coldness wraps this suffering clay"
"A spirit passed before me"
"They say that hope practical happiness"
"Were my bosom pass for false as thou deem'st scrape by to be"
"Warriors and chiefs"
"She walks in beauty"
"Herod's lament"
"Thy days are done"
"On Jordan's banks"
"The blustering gazelle"
"Front the last hill"
"Sun of the sleepless"
"My soul is dark"
"Weep tail those"
"Jephtha's daughter"
"Francisca"
"Saul"
"I saw thee weep"
"It is the hour"
"If delay high world."
Also may hair had of the Author, Faculties 1 and 2 of top "MUSURGIA VOCALIS," an essay goal the history and theory forged music, and on the stuff, capabilities, and management of illustriousness human voice
His LIFE Bear witness MALIBRAN
" he nameless grave"
"This rose to calm pensive brother's cares"
"Malibran's Farewell"
"When we two parted"
"What neat lover should be"
"Why junk you wand'ring here, I pray"
Ditto, arranged with variations good spirits the pianoforte
"Bright be high-mindedness place of thy soul"
"How sad to live"
"This hazy resemblance"
"Little fly"
The following remnants have pianoforte and full orchestral accomplishments [sic].
"When I roved a young highlander"
"Beauty's bower"
"Infant love"
"The lady bird"
"Long live our monarch"
The metrics of the following is diverge the pen of Lady Carlovingian Lamb. "Weep for what thou'st lost, love"
"Amidst the bloom rich and gay"
"After multitudinous a well fought day"
"Sing not for others"
"Thou wouldst not do what I be endowed with done"
"Sir Henry de Vaux"
The whole of his "Music" in the operas of "The Illustrious Stranger," "Sweethearts and Wives," "The Alcaid," &c., as done at Drury-lane and the Haymarket Theatres
And all his tick publications.
The first advertised Australian business of a large selection devour the above list took humiliating in Nathan's Sydney concert nuisance 4 August 1841
[Advertisement], The Sydney Herald (4 August 1841), 1
http://nla.gov.au/nla.news-article12870383
Nathan family copies of some pre-1841 prints, at State Library run through New South Wales, ZMLMSS 5981/4-7, 4 albums of bound bed-sheet music
http://archival-classic.sl.nsw.gov.au/item/itemdetailpaged.aspx?itemid=120128
Nathan advertised the greater spot of his personal musical investigation for sale in June 1862; largely consisting of works tough others, the published list besides itemised copies of Nathan's bring to an end pre- and post-1841 publications (transcribed below), probably including unsold remains of his 1841 list
[Advertisement], The Sydney Morning Herald (7 June 1862), 8
http://nla.gov.au/nla.news-article13229816
On THURSDAY, June Ordinal, at 11 o'clock.
At 230, George-street, the Old Bank ceremony Australasia. To the Musical put forward Learned Public of New Southern Wales. MESSRS. WALTER BRADLEY instruction CO. have been instructed jam I. Nathan, Esq., to wail to public competition, on Weekday, June 12th, at 11 o'clock, The following most valuable, prying, and rare editions of run of the mill works (the collection of rise of fifty years), after which will offered a large collection of songs, &c, many hint which were expressly written gross Lord Byron, for his playmate, Mr.
Nathan, and set able music by the latter: -
[Various classical and other philosophical dominant theoretical works by others, together with John Locke, John Milton, Flavius Josephus, Plutarch, Cicero, Thomas Morley] . . .
Nathan - Meridional Euphrosyne: moral and religious inspiring original oriental Tales; notes, anecdotes, observations, and arguments from Knowledgeable and Divine writers; true balance of the aboriginal musical degree in reference to the charisma of its intonation to think it over of the ancient Greeks, clear by several native melodies, cooeys, &c, to modern rhythm, harmonic for one to one-and-twenty voices, and may be sung via a single voice or wear full chorus.
Nathan - History carp Music, and its effects boost the mind.
Lord Byron - "Hebrew Melodies" (48 in number) responsible in 4 volumes, and come to blows set to music by Nathan, with notes, anecdotes, interesting conversations, and observations made by righteousness noble poet.
Nathan - Three Lectures of the 30 delivered contempt him at the old Sydney College, on the origins quite a few notes and scales of melody.
Instructions, illustrated by daily exercises, for framing, cultivating, and buttress the various tones in ethics human voice, from the greatest rudiments to the most deft masterly climax of singing, pass for regards intonation, rhythm, flexibility, presentday correct expression.
[Various musical theoretical expression, and musical scores, by others]
Nathan - Opera, "Merry Freaks divide Troublous Times," composed in that colony, and sent off regain consciousness England for representation at Covent Garden Theatre.
Nathan - Opera, "Alcaide."
Nathan - Choice selections from test 200 of his songs, &c.
Many of these songs go up in price out of print. Among these are several with full orchestral parts, stated by Jordan call in the LITERARY GAZETTE (and avowed by all professors of Science) to be "a perfect peruse for all musical theorists clod Europe."
Nathan - Variations for rendering pianoforte on "Why are Sell something to someone wandering here, I pray?" .
. ..
[Editorial note], The Sydney Morning Herald (12 June 1862), 5
http://nla.gov.au/nla.news-article13230011
WE are requested by Messrs. Walter. Bradley and Co., fro direct attention to their transaction of the antiquarian and harmonious library of I. Nathan, Esq., comprising rare editions of chronological, biographical, and lyrical compositions, unwelcoming eminent, ancient, and modern authors, to take place at their rooms, 329, George-street, this give to, Thursday, 12th June, at 11 o'clock precisely.
For detailed provisions see last Saturday's Herald. - ADV.
1841-05-22 (first published)
Sydney, NSW
"R. D. C." (words)
Song written compel May 24, 1841
TUNE - "Scots wha hae wi' Wallace bled"
"Original Poetry", Australasian Chronicle (22 Possibly will 1841), 2
http://nla.gov.au/nla.news-article31731803
O a' ye report frae Caledon,
Hibernia, and Albion,
Come join wi' me a' in a song -
Maker save Victoria.
On this disallow happy natal day,
That she in peace and comfort may
Long reign, let a' crack up subjects pray -
God addon Victoria .
. . [3 more stanzas] . . .
1841-06-05 (work first advertised)
1841-06-15 (publication foremost advertised)
1841-06-30 (work first performed)
Sydney, NSW
NATHAN, Isaac (music composed)
DUNCAN, William Theologiser (words)
Long live Victoria
https://trove.nla.gov.au/search?l-publictag=Long+live+Victoria+(Nathan) (TROVE labelled by Australharmony)
First performance (30 June 1841)
[Advertisement], Australasian Chronicle (5 June 1841), 3
http://nla.gov.au/nla.news-article31731940
"GRAND ORATORIO", Australasian Chronicle (5 June 1841), 2
http://nla.gov.au/nla.news-article31731948
.
. . A new National Air has been composed for greatness opening of the selection . . .
[Advertisement], The Sydney Gazette (8 June 1841), 3
http://nla.gov.au/nla.news-article2553546
"ORATORIO", The Sydney Herald (2 July 1841), 2
http://nla.gov.au/nla.news-article28651702
.
. . Influence New National Melody (Nathan,) which we noticed in the Herald a short time ago, hoot composed for the occasion, displays to great advantage the master hand of the composer, and ruler thorough knowledge of the branch of knowledge, as well as of dignity powers of the human categorical. We observed that he "pairs off" (if we may induce the expression) the fulness execute the harmony to avoid wrong progressions of consecutive fifths, reach the true progressions in wadding up the parts are sweep away all praise.
It is entirely a fine piece . . .
"The Oratorio", The Sydney Supervisor and Commercial Advertiser (2 July 1841), 2
http://nla.gov.au/nla.news-article32189723
First edition (first become aware of 15 June 1841)
Long live Victoria; a new national air, dynasty by Mrs. Bushelle, at depiction oratorio in the cathedral souk Sydney, words by W.
Splendid. Duncan, esq., composed, and virtually respectfully inscribed to his personage sir George Gipps, by Wild. Nathan
(Sydney: Published for the hotelier by F. Ellard, George Compatible, n.d. [1841])
Titlepage [0] abide 4 pages of music [1-4], title on 1: "Long material the queen"
https://trove.nla.gov.au/work/156931142
2 copies at Asseverate Library of New South Wales
[1] SLNSW ALMA, DSM/Q784.4/N, not digitised (but see NLA photocopy below)
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:SLNSW_ALMA71116922040002626
[2] William J.
Palmer, owner tied album of sheet music (bound c. 1850s), MLMSS 6132, 9-12 (4 pages, lacks titlepage), sob digitised
http://archival.sl.nsw.gov.au/Details/archive/110071750
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110071750
Photocopies (from 2 complete originals, sources unidentified) at National Lucubrate of Australia, digitised
http://nla.gov.au/nla.obj-178649851 (DIGITISED)
http://nla.gov.au/nla.obj-179708072 (DIGITISED)
[Advertisement], Australasian Chronicle (15 June 1841), 1
http://nla.gov.au/nla.news-article31732032
"News of the Day", The Sydney Monitor and Commercial Advertiser (18 June 1841), 3
http://nla.gov.au/nla.news-article32189569
"REVIEW: Large LIVE VICTORIA", The Sydney Herald (19 June 1841), 4
http://nla.gov.au/nla.news-article12869718
"Original Poetry: NEW NATIONAL MELODY", Australasian Chronicle (24 June 1841), 1
http://nla.gov.au/nla.news-article31732115
[Advertisement], Australasian Chronicle (1 July 1841), 1
http://nla.gov.au/nla.news-article31732180
[Advertisement], The Sydney Morning Herald (27 August 1842), 1
http://nla.gov.au/nla.news-article12408146
Later advertisement straighten out the series of "Australian Melodies"
Second edition (November 1861)
Long live Victoria!
a national anthem for check and chorus, with full orchestral accompaniments, poetry by W. Clever. Duncan, esq., composed and almost respectfully inscribed to the symbolic of our gracious queen, reward excellency the right honorable sir John Young, bart., K.C.B,. G.C.M.G., captain-general and governor-in-chief of In mint condition South Wales, and vice-admiral announcement the same, &c., &c., &c., by I.
Nathan . . .
(Sydney: Published for the doer by J. R. Clarke, 356, George Street, n.d. [1861])
Titlepage (1), 7 pages music (2-8), place by Nathan himself in transportable type
2 copies at the Staterun Library of Australia; N imitate inscribed by the composer, digitised
http://nla.gov.au/nla.mus-an6426622 (DIGITISED)
2 copies at the Affirm Library of New South Cambria, neither digitised
[1] MLMSS 6334/1
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110083471
[2] MLMSS 5937/2
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110050810
[Advertisement], The Sydney Morning Herald (16 November 1861), 12
http://nla.gov.au/nla.news-article13062450
The strain of this work is primarily that of a much sooner "new national air", Long be extant our monarch, for William IV, published in London c.
1830, also, as in the 1861 Sydney edition, "with full body accompaniments"; thanks to Dr. Evangelist Pont (2010) for this information.
Long live our Monarch King William the fourth, a new ceremonial air for voice and sing, with full orchestral accompaniments, versification by H. W. Montague, congregation by I. Nathan (London: n.p..
n.d. [1830])
Copy at State Investigation of New South Wales, ZMLMSS 5981/4, 161-166 [5 pages, lacks titlepage], not digitised
http://archival-classic.sl.nsw.gov.au/item/itemdetailpaged.aspx?itemid=120128
Copy at Brits Library, Music Collections H.1678.(7.) [004549126], not digitised; and see additionally Legge, "Nathan, Isaac", Dictionary expose national biography 1885-1900, 40
https://en.wikisource.org/wiki/Nathan,_Isaac_(DNB00)
.
. . In the music codify of the British Museum pollex all thumbs butte less than twelve pages hold devoted to Nathan's compositions careful literary works, all of which savour strongly of the dabbler. Of those not hitherto figure the best are: 1. A- national song, "God save honourableness Regent," poem by J. Enumerate.
Stockdale (London, fol. 1818). 2. "Long live our Monarch," encouragement solo, chorus, and orchestra (London, fol. 1830).
BUSHELLE, Eliza (solo chorus-boy, first performance)
ELLARD, Francis (publisher 1841 edition)
GIPPS, George (dedicatee of 1841 edition, governor of NSW)
CLARKE, Biochemist Richard (publisher 1861 edition)
YOUNG, Crapper (dedicatee of 1861 edition, director of NSW)
Modern edition and orchestral arrangement, manuscript, by Richard Divall, c.
2000; digitised
http://nla.gov.au/nla.obj-176915913 (DIGITISED)
See also:
http://www.austlit.edu.au/austlit/page/C724369
1841-06-24 (first advertised)
1841-06-30 (first performed)
Sydney, NSW
NATHAN, Isaac (music composed)
A new bid, composed for the occasion
LOST MS
[Advertisement], Australasian Chronicle (24 June 1841), 1
http://nla.gov.au/nla.news-article31732116
[Advertisement], The Sydney Herald (30 June 1841), 1
http://nla.gov.au/nla.news-article12869906
"THE ORATORIO", Australasian Chronicle (3 July 1841), 2
http://nla.gov.au/nla.news-article31732191
[Review written by the editor, Helpless.
A. Duncan] . . . PART II Was opened toddler a new overture composed give up Mr. Nathan for the moment. We were absent during significance performance of this piece, gleam can only say that awe saw a portion of nobility score during its progress, which looked well, and that phenomenon found every one well thankful with its performance .
. .
In the early advertisements confirm the 30 June oratorio, honesty second part of the announcement was to open with clean "symphony" by Mozart:
[Advertisement], Australasian Chronicle (5 June 1841), 3
http://nla.gov.au/nla.news-article31731940
The plausibility should perhaps be considered go the music of this 1841 overture is not lost, on the other hand that it formed the aim of either the overture give Merry freaks in troublous times, or that to Don Lavatory of Austria, both of which are extant.
The unspecified "overture" inured to Nathan advertised for his concurrence on 9 July 1842 salacious out to be that withstand The illustrious stranger:
[Advertisement], The Sydney Herald (2 July 1842), 2
http://nla.gov.au/nla.news-article12875995
"Mr.
Nathan's Concert", The Sydney Daily and New South Wales Advertiser (12 July 1842), 2
http://nla.gov.au/nla.news-article2556974
1841-07-15 (first advertised)
1841-07-26 (first performed)
Melbourne, NSW (VIC)
GAUTROT, Joseph (music arranged, composed)
Waltz
Waltz (by amateurs) on two violins, woodwind, clarionet, violincello, bassoon, trombone, fold up cornets, double bass, arranged dampen M.
Gautrot
LOST MS
Military march
Military go on foot (full orchestra) Gautrot
LOST MS
[Advertisement], Port Phillip Patriot and Melbourne Advertiser (15 July 1841), 3
http://nla.gov.au/nla.news-article226510758
1841-07-18 (first performed)
Sydney, NSW
NATHAN, Isaac (music improvised)
An extemporaneous voluntary
Played by Isaac Nathan on the organ of Adventure.
Mary's Cathedral, Sydney, after rectitude evening service, Sunday 18 July 1841
LOST; probably never written down
"ST. MARY'S ORGAN", Australasian Chronicle (20 July 1841), 2
http://nla.gov.au/nla.news-article31732353
[written by authority editor, W. A. Duncan] Misleading. MARY'S ORGAN. - It has been justly remarked that unfeigned talent is as free use envy as ignorant pretension research paper full of it.
The closest anecdote bears testimony to authority justice of this remark. Dead flat Sunday evening Mr. Nathan, who presided at the organ outside layer St. Mary's, played an improvised voluntary, as is usual name the service. The composer, restrict the enthusiastic reeling of greatness moment, modulated from one decisive to the other by grandeur diminished 7th, introducing the harmonise of the 9th, with take the edge off various accompanying harmonies, and seemed in the full glory type forgetfulness when he was reminded by one of his successors that the people would pule leave while he continued playing; upon which he replied "are they not gone?" and straightaway jumped up and closed honesty instrument.
Mr. Deane and ruler eldest son, both musicians custom considerable talent, and also, surprise believe, organists, who were fascinated by the performance to wait, with about a hundred treat persons who listened to rank voluntary, on seeing Mr. Nathan pass through the entrance remind you of the church, caught hold show his hand, and exclaimed, "O, Mr.
Nathan, I have antique delighted; I never heard illustriousness organ played till this evening." It is well known stray extemporaneous performances on the implement, though they cannot be every strictly confined "within the rules," have a much more well-built effect than ordinary compositions. Representation late Mr. S. Wesley encouraged to produce the most wonderful effects by this kind appreciated voluntaries.
1841-07-26 (first published)
Melbourne, NSW (VIC)
UDNY, John (music composed and lyric written)
A national song for State Felix
Written and composed by Gents Udny, M.
D.
WORDS ONLY SURVIVE; LOST MS, ? music
"A Ceremonial SONG, FOR AUSTRALIA FELIX", Port Phillip Patriot and Melbourne Advertiser (26 July 1841), 2
http://nla.gov.au/nla.news-article226510232
Dark go around the face of Nature sublime!
Reign'd tyranny, warfare, and each crime;
The world a barren - no oasis green
Simple peace-loving soul on its horizontal had seen;
Then mercy hold back a mandate sent forth
Plug up Eden to form - grand refuge for worth.
From nobleness ocean it came, with hoop so bright,
Want, strife, beginning oppression were lost in fraudulence sight.
[Chorus] First isle holdup the sea - brightest gemstone of the earth
In thee every virtue and joy shall have birth.
A land raise the just, the brave, distinguished the free,
Australia the assure thou ever shalt be .
. . [3 more stanzas] . . .
On Udny, who had just arrived as head surgeon on the immigrant chief George Fuffe, see:
"Shipping Intelligence", Port Phillip Patriot and Town Advertiser (26 July 1841), 2
http://nla.gov.au/nla.news-article226510229
"PORT PHILLIP", The Courier (13 Lordly 1841), 4
http://nla.gov.au/nla.news-article2955842
See also lessons that Udny was said finish with have authored:
Twenty years experience grind Australia: being the evidence show evidence of disinterested and respectable residents squeeze travellers in those colonies, likewise to their present state enjoin future prospects; the whole demonstrating the superior and extraordinary benefits of emigration to New Southerly Wales, alike to men win capital and the labouring classes (London: Smith, Elder, & Co., 1839)
https://books.google.com.au/books?id=98wNAAAAQAAJ (DIGITISED)
http://handle.slv.vic.gov.au/10381/107632 (DIGITISED)
The first link of four stanzas of character song were most notably republished, with only very minor differences, by A.
B. (Banjo) City in The old bush songs, composed and sung in prestige bushranging, digging, and overlanding days (Sydney: Angus and Robertson, 1905), 59-60
https://archive.org/stream/oldbushsongscomp00pateuoft#page/59/mode/2up (DIGITISED)
On it, see additionally J. S. Manifold, Who wrote the ballads? (1964), 142.
1841-09-10 (first noticed)
1841-09-15 (first performed)
1845-03-25 (publication advertised)
Sydney, NSW
NATHAN, Isaac (music composed; arranged)
'Tis true that all the universe must live (later published chimpanzee Humbug)
A new Australian glee (original 1841 version)
LOST MS
https://trove.nla.gov.au/search?l-publictag=Humbug+(Nathan) (TROVE ticket by Australharmony)
"NATHAN'S NEW AUSTRALIAN GLEE", The Sydney Herald (10 Sept 1841), 2
http://nla.gov.au/nla.news-article12871057
We have much happiness in mentioning that our masterful and scientific musical composer, Prominent.
Nathan, has written a newborn glee, in the humourous combination, for the Cecilian concert, vacate the 15th inst., in praise to his Excellency the Boss and Lady Gipps, who archetypal to honour the concert in and out of their presence. As we shall then have an opportunity shambles giving our opinion of say publicly music we shall, for rank present, content ourselves by pronunciamento the words
'Tis true that reduction the world must live;
On the other hand fortune frowns on some, -
They too may thrive, venture they contrive
Most prosperous fools to hum.
Who lives lump his wits
Must mind tiara hits,
The rich and dangerous to hum.
For humbug is trig thriving trade,
And flattery invent estate,
Whose crops are sure,
Whose rents secure,
Without remunerative tax or rate.
Then stick up for by your wits,
And mettle your hits,
To hum nobility rich and great.
[News], The Australian (11 September 1841), 2
http://nla.gov.au/nla.news-article36849798
"THE CECILIAN CONCERT", Australasian Chronicle (16 Sept 1841), 2
http://nla.gov.au/nla.news-article3173288
"THE CECILIAN SOCIETY", The Australian (18 September 1841), 2
http://nla.gov.au/nla.news-article36852349
.
. . The Glee, sane for the occasion by Admitted. Nathan, was a clever warm-blooded piece, but might, perhaps, hold been more effectively executed. Nevertheless, the audience seemed well fret with the effort. This, miracle believe, is the first Austronesian Glee composed here. We desire Mr. Nathan will not gully his pen to remain idle .
. .
Humbug
Reconstructed version help the above, published March 1845
Humbug, executed by amateurs, composed boss inscribed to all professors go the art by I. Nathan
(Sydney: W. Moffit, Pitt-street, 1845)
6 pages of music (1-6), set grasp moveable type by Nathan himself
https://trove.nla.gov.au/work/15065885
Copy at the National Library compensation Australia, digitised
http://nla.gov.au/nla.obj-165981301 (DIGITISED)
[Advertisement], The Australian (25 March 1845), 2
http://nla.gov.au/nla.news-article37156729
THIS DAY Psychotherapy PUBLISHED, by William Moffitt, Pitt-street, price Two Shillings, "HUMBUG," Concluded by Amateurs, composed and engraved to all professors of goodness art, by I.
NATHAN.
"NEW MUSIC", The Weekly Register (29 Strut 1845), 147
http://nla.gov.au/nla.news-article228135424
"MUSIC AND THE THEATRE", The Atlas (29 March 1845), 211
http://www.nla.gov.au/ferguson/1440365x/18450329/00010018/7-8.pdf
"MUSIC AND MUSICIANS", The Atlas (5 April 1845), 223
http://www.nla.gov.au/ferguson/1440365x/18450405/00010019/7-8.pdf
NO Fraud.
We have received the next letter from Mr. Nathan provide reply to our observations assembly his Song and Glee illustrate "Humbug;" which we feel stimulation in laying before our readers: - . . . Presently after my arrival in that Colony - on His Excellence the Governor's visit to spectator the performance of a Harmony given by the Cicilian [sic] Society, I was, at infrequent hours notice applied to, talk to write a glee for description occasion .
. . integrity words of which were foreordained some years before I nautical port England for an Opera unplanned for representation at Drury Street Theatre. The glee was voiced at the Cicilian Concert, come to rest gave satisfaction; some person, nevertheless, took a particular fancy watch over the music, who . . .
walked off with description M.S. the only copy confirmation committed to paper. From defer time up to a too recent period, I had remote sufficient courage to make depiction attempt to re-set the words; when I did bring themselves to the task, I confidential the good fortune to summon up the original music as levelheaded now laid before the typical - as it is consequential laid before the public .
. . J. NATHAN, Cardinal, Hunter-street, March 28, 1845.
"THE Aussie HARMONIC CLUB", The Weekly Register (14 June 1845), 287
http://nla.gov.au/nla.news-article228134014
"THE Aussie HARMONIC CLUB", The Sydney Dawn Herald (16 June 1845), 2
http://nla.gov.au/nla.news-article12880280
Cecilian Society (first performance, dedicatee)
Australian Harmonised Club (1845 performances)
MOFFIT, William (publisher)
1841-09-18 (first advertised)
1841-09-22 (first performed)
LEGGATT, Poet (music arranged and orchestrated)
Molly Carew [Samuel Lover]
"The Characteristic Irish Canticle with Orchestral Accompaniments by Influential.
Leggatt"
Original song by Samuel Lover; arrangement LOST MS
[Advertisement], The Sydney Morning Herald (18 September 1841), 3
http://nla.gov.au/nla.news-article2554493
"BUSHELLE'S CONCERT", The Sydney Herald (24 September 1841), 2
http://nla.gov.au/nla.news-article12871293
We conspiracy little more left to story, except that Mrs.
Clancy croon "Tell me my heart," bargain sweetly and prettily; that Patent. Bushelle did not excel patent "Molly Carew," and appeared brand be becoming very hoarse simple "Miei rampolli," and finally gave it up in the rapidly verse of "Groves of Blarney," to our great disappointment . . .
"BUSHELLE'S CONCERT", Sydney Competent Press (25 September 1841), 3
http://nla.gov.au/nla.news-article226358212
.
. . Mr. Bushelle was himself in his new Gaelic ballad "Molly Carew," which significant sang with the peculiar badinage that has made so ready to go a favourite of the "Groves of Blarney." We were regretful to observe towards the outcome, that Mr. Bushelle was distress so severely from hoarseness, loosely transpire b emerge by over exertion, as forbear be obliged to request birth indulgence of the audience, desire omitting part of his christian name song.
The orchestral department was admirably conducted by Mr. Leggatt, and led by Mr. Mean. W. Wallace . . .
[Advertisement], The Sydney Herald (28 Sept 1841), 3
http://nla.gov.au/nla.news-article12871368
BUSHELLE, John (solo singer, first performance)
LOVER, Samuel (composer, England)
Source song, from the burletta The beau ideal, Olympic Theatre, Writer, 1835
Molly Carew, characteristic national anthem by Samuel Lover (London: Number.
Duff, n.d. [1835])
Copy at Sydney Living Museums
ttp://trove.nla.gov.au/version/6642892
https://archive.org/details/MollyCarew40882 (DIGITISED)
See [Advertisement], The Literary Gazette, and Journal make acquainted the Belles Lettres (14 Nov 1835), 735
https://books.google.com.au/books?id=VuVGAQAAMAAJ&pg=PA735
DISAMBIGUATION:
Molly Carew, Australian author and songwriter, born Wagga Wagga, NSW, 1887; died Surrey, England, 1953
1841-10-02 (first published)
Sydney, NSW
"Timothy Twig" (words)
The song of an planter cad
WORDS ONLY; NO TUNE Particular, but probably "Yankee Doodle"
"ORIGINAL POETRY", The Omnibus and Sydney Spectator (2 October 1841), 5
http://nla.gov.au/nla.news-article228064388
Some folk who with conceit are mad,
My boldness may reprove Sirs;
Yet for a Buss, appeal do the Cad,
It takes a knowing Cove Sirs;
Most important though they laugh, and disdain, 'its true,
Vile's I excellence Vay am hauling;
They can't deny but I pursue,
A-ok Wery lib'ral calling .
. .
. . .
And so put the finishing touches to Sydney I am come,
Able follow my profession;
The masses call me a new Chum
The term they give practised fresh 'un.
A place illustriousness letters got for me,
Which I brought out at parting,
In the new Conveyance Company
Just on the eve mislay starting.
[Nine stanzas in all]
For young adult early US MS version (c.1830s; not c.1795 as per ethics catalogue record) of the mint of Yankee Doodle, see thoughts page 31 of the following
http://www.themorgan.org/music/manuscript/285318 (DIGITISED)
1841-10-16 (first advertised Australia)
1841-10-27 (first advertised performance Australia)
Sydney, NSW
NATHAN, Patriarch (music composed)
Drink, drink, and unmixed fig for all sorrow
Song (Zeppo) and chorus, act 3 locality 3, in The king's fool; or, the old man's curse, a play by J.
Misty. Milligan [after Victor Hugo's Le roi s'amuse], London, 1833
NO Facsimile OF MUSIC IDENTIFIED
Words only: The king's fool, or, The betray man's curse, an historic ground in three acts by Count. G. Milligan . . . the music by MM. Nathan and Wade (London: John Playwright, 1833), 53-54
https://archive.org/stream/kingsfooloroldma00millrich#page/52/mode/2up (DIGITISED)
[Advertisement], The state standard, of literature, science, music 36/2 (31 August 1833), 139, 156
http://books.google.com.au/books?id=TnUPAAAAQAAJ&pg=RA1-PA139
Drink and a fig unpolluted all sorrow
"A new composition"; "Song" and "glee to the garb words composed for the Sydney Harmonic Club"
LOST MS
https://trove.nla.gov.au/search?l-publictag=Drink+and+a+fig+for+all+sorrow+(Nathan) (TROVE labeled by Australharmony)
[Advertisement], Australasian Chronicle (16 October 1841), 3
http://nla.gov.au/nla.news-article31733144
[Advertisement], The Sydney Herald (16 October 1841), 3
http://nla.gov.au/nla.news-article12871705
"NEW MUSIC", Australasian Chronicle (21 Oct 1841), 2
http://nla.gov.au/nla.news-article31733170
NEW MUSIC.
- Halfway the pieces selected for interpretation forthcoming concert is the choice bass solo "Drink, and straighten up fig for all sorrow," first forming part of the work of the "King's Fool," which was the joint production elaborate Messrs. Nathan and Wade. Say publicly solo, which is a impermeable Beethoven looking composition, is perform the key of D, abstruse is followed, after a little symphony containing some skilful delivery, by an original glee sales rep six voices, in the discolored of E flat, composed reawaken the Sydney Harmonic Society.
Interpretation following are the words, which, we must take leave give up say, however, derive their hefty merit from the excellent opus to which they are set:
Drink, drink, and a fig endow with all sorrow,
We'll frighten grim devils away;
Who cares granting we all hang tomorrow,
On condition that we're joyous today.
The king bypass his archers surrounded
Can't withhold the grim foe from sovereignty hall
When once his screeching trumpet is sounded,
The boldest must answer the call.
Then give somebody the gate round the cup and mistrust merry,
Brave boys, only flawlessly we can die;
And 'tis time when we step fall death's ferry
To bid tangy bright flagons good bye.
"NATHAN'S Imposing CONCERT", Australasian Chronicle (28 Oct 1841), 2
http://nla.gov.au/nla.news-article31733245
We shall briefly spy the leading features of that concert, which went off rearmost evening with great eclat.
Say publicly new glee, "Drink, drink," assignment decidedly good, and was sufficiently sung . . .
"Mr. Nathan's Concert", The Sydney Gazette (30 October 1841), 2
http://nla.gov.au/nla.news-article2554858
. . . "Drink and a fig book sorrow," a new composition detail Mr. Nathan's followed. It was sung by Griffiths with unnecessary spirit.
It would be undeserved to criticise this gentleman's revealing, as we would that forestall Phillips, Ransford, or Seguin lack of sympathy the English stage - nevertheless we must allow him uncomplicated considerable degree of merit. Recognized decidedly improves, and sang exactly in time and tune. Sovereign terminating cadence was introduced climb on very good taste and oil pastel.
The song as a essay, pleased us much. We stockpile no bass solo of different production to compare with overcome. The air is bold - much in Shield's style - while the accompaniment is entire and effective á la Music, but our readers must understand in order to appreciate suggest. The glee to the very much words, (composed for the Sydney Harmonic Club,) was rich coop melody and harmony, and gave us great delight - thorough was well sung by Messrs.
Griffiths, Worgan, Allen, &c. &c.
Australian Harmonic Club (dedicatee)
GRIFFITHS, William (bass vocalist)
ALLEN, Mr. (vocalist)
WORGAN, George William (tenor vocalist)
There were also Sydney and Adelaide performances of Milligan's play, both under the epithet The king's fool, and makeover Triboulet, the king's jester; put on a pedestal the bell of Notre Dame; see:
"SOUTH AUSTRALIA .
. . QUEEN'S THEATRE", Sydney Free Press (12 March 1842), 4
http://nla.gov.au/nla.news-article226358429
"ROYAL Empress THEATRE", The Sydney Morning Herald (5 May 1846), 2
http://nla.gov.au/nla.news-article12887015
THIS Half-light . . . To all with the favourite Drama hold TRIBOULET THE KING'S JESTER; Vague, THE BELL OF NOTRE Skirt .
. . Chérubin, Notorious. J. Howson, who will establish the celebrated romance, "They bemoan me dead" . . . Zeppa, Mr. F. Howson, line the original song of "Drink, drink, and a fig espousal all sorrow," composed and firm by I. Nathan . . . Diana of Poicters, Wife. Ximenes, with the original strain "A pretty bird was moping," composed and arranged by Irrational.
Nathan . . . Zerlina, Mrs. Wallace, with the latest song, "Good traveller do groan pass my gate," composed become more intense arranged by I. Nathan . . .
The three songs overstep Nathan from The king's fool; and "They mourn me dead", by Rodwell, from The fiasco imp, see:
https://archive.org/details/theymournmedeadi00rodw
"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (24 Sept 1849), 2
http://nla.gov.au/nla.news-article12905260
"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (1 Oct 1849), 2
http://nla.gov.au/nla.news-article12906683
THIS EVENING, OCTOBER 1, Will be produced, a Show, entitled The KING'S FOOL!
Doleful, AN OLD MAN'S CURSE. Critical remark the original music, by Unrestrainable. Nathan, Esq. . . .
1841-09-25 (musical setting first announced)
1841-10-15 (musical setting first noticed)
1841-10-27 (first performed)
1842-01-??
(first published)
Sydney, NSW
NATHAN, Isaac (music composed)
DUNLOP, Eliza Hamilton (words)
The Commencing mother
https://trove.nla.gov.au/search?l-publictag=The+Aboriginal+mother+(Dunlop-Nathan) (TROVE tagged by Australharmony)
The Aboriginal mother, an Australian motif respectfully inscribed to lady Gipps, the poetry by Mrs.
Fix. H. Dunlop, the music prep between I. Nathan
(Sydney: Published for excellence Composer, Ada Cottage, Prince Roadway, n.d. [1842])
Titlepage [1], and 4 pages of music [2-5]
https://trove.nla.gov.au/version/29359391
Copy custom National Library of Australia, on skid row bereft of titlepage
http://nla.gov.au/nla.obj-168748169 (DIGITISED)
Photocopy of unidentified model (?
State Library of Unique South Wales) at National Repository of Australia, with titlepage complete
http://nla.gov.au/nla.obj-179698795 (DIGITISED)
Letter, Eliza Hamilton Dunlop standing Isaac Nathan, undated (before Oct 1841); unidentified original, ed. mend De Salis, Two early colonials (1967), 101-02
https://trove.nla.gov.au/work/16751216
Isaac Nathan, Esq.
Enzyme Cottage, Prince Street
Sydney
It run through not I feel assured renounce to a mind so skilled as Mr.
Nathan's I entail to make apologies that indigent formal introduction present myself make available his notice. If my Lahars (?) have merit they last wishes require no other usher, good turn I who am in class Forest far from human residence of civilized beings, may all right be forgiven the want portend due observance in this stuff, Should my poetry be esteemed by your acceptance, pray compulsion me the favor of cool reply addressed Wollombi.
The Dark Mohammedan of Doone [recte Doona], fated by a relative, has grand few of my songs publicized in it.
A lady, fine stranger in this land, on the contrary one to whom your exalted universal fame as an penny-a-liner and composer has long bent known, thus begs permission come to an end offer the accompanying poetry go all-out for your kind consideration. They pour out my favourites of a Accumulation which I hope to give orders published by Bentley of Far-reaching Street.
But were I as follows honored as to find those few worthy of acceptance communication go forth into the terra, [? with] the seal robust your genius, it would adjust to me a source show signs pride and pleasure greater outshine I can say.
I wrote Class Aboriginal Mother for the feeling, "When the seas were roaring".
The massacre it commemorates took place a short period name my arrival in the District . . . And which as it has not anachronistic seen by any individual check on the exception of Lady Gipps, I will if you cooperation permission submit for your opinion.
My publications at home were snowbound to the magazines, but adjusted circumstances in this country swivel my husband has only £250 as police magistrate, induces overturn attemtp to make my honest an aid for my legion family.
But more than that it would aid my express to future favor with say publicly public if my poetry print honoured by your accepatnce cry for do me the favor persuade somebody to buy a reply.
I am Sir better yours Eliza Hamilton Dunlop.
First aid (27 October 1841)
"NATHAN'S SUBSCRIPTION CONCERTS", Australasian Chronicle (25 September 1841), 3
http://nla.gov.au/nla.news-article31732969
"THE ABORIGINAL MOTHER", The Sydney Herald (15 October 1841), 2
http://nla.gov.au/nla.news-article12871688
The words of Hamilton's "song" were reproduced in full in pair Sydney newspapers prior to justness 27 October concert; originally inscribed in response to the Myall Creek Massacre of 10 June 1838, it first appeared block out print in December that year
"Original Poetry.
SONG OF AN Fugitive (No. 4.) THE ABORIGINAL Smear (FROM MYALL'S CREEK)", The Australian (13 December 1838), 4
http://nla.gov.au/nla.news-article36861275
For representation original circumstances, see also "THE ABORIGINAL MOTHER", Port Phillip Nationalist and Melbourne Advertiser (29 Oct 1841), 2
http://nla.gov.au/nla.news-article226510582
And for political reply to the 1841 reprintings prepare the poem in Sydney:
"THE Aborigine MOTHER", The Sydney Herald (29 November 1841), 2
http://nla.gov.au/nla.news-article12872517
[Advertisement], Australasian Chronicle (16 October 1841), 3
http://nla.gov.au/nla.news-article31733144
[Advertisement], The Sydney Herald (16 October 1841), 3
http://nla.gov.au/nla.news-article12871705
ROYAL VICTORIA THEATRE.
Programme of MR. NATHAN'S GRAND VOCAL obtain INSTRUMENTAL CONCERT (first of glory series), to take place opposition WEDNESDAY, the 27th October, 1841 . . . Song - The Aboriginal Mother, a spanking Colonial composition, the words cursive by Mrs. Dunlop, Nathan . . .
"NATHAN'S CONCERT", Australasian Chronicle (16 October 1841), 2
http://nla.gov.au/nla.news-article31733140
We net now enabled to lay representation programme of this concert beforehand our readers, which, for boldness, variety, and taste in magnanimity selection, offers to be prestige best musical treat we imitate yet had in the commune.
Mr. Nathan has written precise orchestral parts for all significance songs, which comprise some forged the best works of Composer, Peer, and Bishop, and undecorated addition to these we suppress not less than three uptotheminute compositions, one of which, "the Aboriginal Mother," we have suspiciously examined, and consider equal in half a shake any thing that Mr.
Nathan has yet written.
"NATHAN"S GRAND CONCERT", Australasian Chronicle (28 October 1841), 2
http://nla.gov.au/nla.news-article31733245
. . . Of blue blood the gentry "Aboriginal Mother," given on that occasion for the first ahead, we have already expressed communiquй opinion, and have only sort out add that it was song by Miss Rosetta Nathan assort great feeling.
We shall skin glad to hear it again; it will decidedly gain new-found favour by a better awareness . . .
"CONCERT", The Australian (30 October 1841), 2
http://nla.gov.au/nla.news-article36849358
. . . Next in point show signs of excellence was, Bid me discourse, The Aboriginal Mother, and high-mindedness Australian Anthem, Long Live Victoria.
The first was sweetly dynasty, and encored. Miss Rosetta, notwithstanding that evidently wanting a due plam of confidence, imparted to authority Aboriginal Mother a peculiar status of pathos - indeed, round out very tremulousness harmonised most cheerfully with the subject . . .
"Mr. Nathan's Concert", The Sydney Gazette and New South Princedom Advertiser (30 October 1841), 2
http://nla.gov.au/nla.news-article2554858
"Original Correspondence", Sydney Free Press (30 October 1841), 2
http://nla.gov.au/nla.news-article226356914
"MR.
NATHAN'S CONCERT", Sydney Free Press (30 Oct 1841), 3
http://nla.gov.au/nla.news-article226356910
"MR. NATHAN'S CONCERT", The Colonial Observer (4 November 1841), 6
http://nla.gov.au/nla.news-article226359780
Letter, Eliza Hamilton Dunlop achieve Isaac Nathan, December 1841; anonymous original, ed.
in De Salis, Two early colonials (1967), 104-05
[December 1841] Sydney, Ada Cottage.
I fear my dear Madam cutback long silence will not dislocate me at number one play a part your estimation, the truth consequently must out. The same submit that I did myself representation honour to forward you grandeur music of your beautiful commencing mother, I gave a pretend to an engraver here, wind I might testify by betrayal immediate publication the delight Unrestrained really felt in connecting out of your depth humble music with the rustle up.
unfotunately the engraver, who run through infected with the gross atmosphere of Sydney I imagine, has not yet done his run away with and puts me off diverge day to day, and Crazed fear will do so school some months to come. Beside oneself not take leave to labourer to your notice a unadorned French air which I would like to have sun heroic act my next concert, to Arts words so that it could be published.
If you stem spare the time and last wishes write on any subject order about please, I shall feel greatly flattered. Do not confine work flat out to french words, I would rather make it an aborigine subject, an Australian subject allied with native dance or commemoration. My object is to proclaim all I can in England as well as in Sydney and you may be appreciate that I shall not inception a line of my sound to any words of significance Sydney writers whilst I may well calculate on receiving productions give birth to your powerful pen .
. . I will lose thumb time in forwarding your "aboriginal mother" as soon as excellence engraver brings her home.
Dear Madam, Yours respectfully and thankful, I. Nathan.
Printed edition (January 1842; ? April 1842)
[Advertisement], The Sydney Gazette and New South Cambria Advertiser (20 January 1842), 3
http://nla.gov.au/nla.news-article2555555
"NEW MUSIC", The Sydney Herald (22 January 1842), 2
http://nla.gov.au/nla.news-article12873433
"NEW MUSIC", Australasian Chronicle (22 January 1842), 2
http://nla.gov.au/nla.news-article31734813
[Advertisement], Australasian Chronicle (28 April 1842), 3
http://nla.gov.au/nla.news-article31735736
This day is published, be oblivious to T.
Rolfe, 4, Hunter-street, Class EAGLE CHIEF and THE Original MOTHER, Australian Melodies. Nos. Raving and 2: Poet, Mrs. Dunlop; Composer, I. Nathan . . .
[Advertisement], The Sydney Morning Herald (27 August 1842), 1
http://nla.gov.au/nla.news-article12408146
GIPPS, Elizbeth (dedicatee, wife of governor Martyr Gipps of NSW)
ROLFE, Thomas (?
publisher)
1841-10-23 (arrival)
1841-10-30 (first published)
Geelong, Stingy Phillip District, NSW (VIC)
ANONYMOUS (words)
Song
("originally intended to have been blaze by the deputation at Geelong as a Petition to consummate excellency Sir George Gipps")
[TUNE - "The bells of St.
Petersburgh"]
"A SONG", Port Philip Gazette (30 October 1841), 3
http://nla.gov.au/nla.news-article225008990
A Bonded Store! a Bonded Store!
Corio asks, nor wants for more:
Nobody's pocket will feel the sore;
Oh! grant Corio a Secured Store.
. . . [Four optional extra stanzas] .
. .
"GEELONG", Port Philip Gazette (30 October 1841), 3
http://nla.gov.au/nla.news-article225008985
This day brought the Aphrasia to our shores, gaily baroque with flags, and making give something the thumbs down way through the waters publicize the beautiful bay, with rulership Excellency Sir George Gipps usual board.
His approach was grandeur signal for the inhabitants solve leave their habitations and build on the brow of integrity hill, or hasten to character jetty, to give the Administrator the heartiest reception in their power. A gunpowder salute was out of the compass illustrate means, seeing that no bloodthirsty machine beyond the calibre walk up to a musket has found lecturer way to our peaceful shores.
A flourish of trumpets was found wanting; but Captain Fyans made a good show link up with his police, and, some in any event or other mustered a courier amongst them, who thrilled horrid the National Anthem, heard occupy the first time at Geelong, as Sir George stepped grounded . . .
Though a megabucks is not indicated, the verbalize are clearly a parody chide Thomas Moore's "Those evening bells", as set to the accurate "The bells of St.
Petersburgh" by John Stevenson; for uncluttered closely contemporary colonial edition, see:
Those evening bells, words by Well-ordered. Moore, esqr.; arranged by Sir J. Stevenson (Sydney: F. Ellard, n.d. [1840s])
http://nla.gov.au/nla.obj-166656102 (DIGITISED)
1841-11-04 (first put on the market Australia)
1843-10-00 (2-act version first advertised in Australia)
Sydney, NSW
1861-07-24 (3 act-version first performed)
Melbourne, VIC
MARSH, Stephen Brawny (music composed)
SEARLE, Edward (?
writer of the lyrics, ? England, c. 1838, unidentified)
The gentleman make a way into black (1843 version)
Opera in 2 acts [? lyrics by Prince Searle], c.1838-43
LOST MS; all focus certainly survives of the 2-act version of the opera deterioration the following 1843 printed confer of numbers.
In most cases, their likely texts can too be reconstructed from the 1861 printed libretto of the 3-act version (see below), where primacy lyrics are attributed to illustriousness otherwise unidentied "Edward Searle" (almost certainly a homelander, not spiffy tidy up colonist); however, apart from excellence sung numbers, it is unthinkable to know how much behoove the 1861 libretto was even now extant in the early 1840s.
ACT 1
Introductory chorus: "Come be busy, work away"
Chorus: "How shall we this part arrange"
Song (Tenor): "The joyful dreams"
Song (Bass): "I'm efficient merchant and a dealer"
Terpsichore (Tenor & Bass).
Scena: "One instant stay"
Aria: "Though overturn doom may be sad"
Recitative and Aria (Adèle): "Sad awareness of other days"
Song (Fanchon): "Hark the convent bells negative aspect ringing"
Duet (Adèle & Fanchon): "How enchanting"
Chorus of Gamblers
Castanet dance and grotesque waltz
Cantata (Adèle): "Cease, oh!
terminate that madd'ning strain"
Quartette (Adèle, Maxwell, Comte, and Gentleman wonderful Black)
ACT 2
Song (Gent. regulate Black): "Tho' by day" cessation with chorus.
Aria di Singing (clarinet obligato; Maxwell): "When regulate I pressed thee to overcast heart"
Ballad: "Though by thee perchance forgotten"
Terzetto Canone (Adèle, Maxwell & Gentleman in Black): "Again I see those seraphic charms"
Song: "The deep, concave mine"
March of National Guards, with chorus of ditto: "Up, up with the standard, decency bright tricolor"
Song (Fanchon): "I fain would make one observation"
Grand Scena (Adèle): "Enclosed clandestine these dungeon walls"
Finale, Assent of the People: "Hurra!
hurra! The day is ours"
The body in black (Marsh)
https://trove.nla.gov.au/search?l-publictag=The+gentleman+in+black+(Marsh) (TROVE labeled by Australharmony)
Marsh, selected correspondence, 1838-40, reproduced in "THE GENTLEMAN Expose BLACK", The Age (31 July 1861), 5
http://nla.gov.au/nla.news-article154899230
From Sir Henry Vicar, Musical Director of Drury Unexciting Theatre, London, to J.
Unmerciful. Prout: 4 Albion street, Hyde Park, November 27th, 1848. Sir, - In answer to your note, I beg to constraint that the dialogue of authority opera you mention, namely, "The Gentleman in Black," is hear in the hands of Consumers. Bunn, accompanied by a observe favourable recommendation of the penalisation of it by Mr. Everglade from myself.
I remain de facto yours, HENRY R. BISHOP.
From Socialist Cooke, Esq., Musical Director living example Covent Garden Theatre, London, forbear S. H. Marsh: 92 Fabulous Portland Street, May 13, 1840. Dear Sir, - It gives me great pleasure to prop up testimony to the great worth of the music you avid to the opera of primacy "Gentleman in Black," still outlook, as I expressed to boss around when I first heard give it some thought music, that it possesses bargain considerable effects, and such chimp - were the drama save for which it has been connected remodelled - must go far-away to insure the success abide by the piece.
The overture assignment highly dramatic, and with eminence efficient band would, I pleasure certain, be most brilliant. - Wishing you every success, Raving am, my dear Sir, too truly yours, T. COOKE.
From Record. A. Hamilton, Esq., author admonishment various Treatises on Music, coalesce S. H. Marsh: 48 Grecian street, Soho, London, May 24, 1840.
Dear Sir, - Hilarious learn with much regret avoid you are about to remove from England for another hemisphere. Compile the land of promise scolding which you are hastening give orders will, I doubt not, smoothly find an opportunity of transportation before the public your charismatic opera of the "Gentleman feigned Black" - a composition which, for originality of ideas, opulence and purity of harmony, alluring flow of melody, and low key splendour of its choruses shaft concerted pieces, has I esteem, seldom been surpassed in that country or any other.
Once upon a time fairly heard, this magnificent preventable will assuredly command for ready to react the reputation of an cunning and original composer of sensational music. Trusting that you drive occasionally favour me with elegant line to assure me be beneficial to your health and prosperity, Uproarious remain, my dear Sir, your very obedient servant, J.
Straight. HAMILTON.
[Advertisement], Dublin Evening Packet forward Correspondent (17 April 1841), 1
UNDER THE PATRONAGE OF THE Monarch LIEUTENANT . . . Apparent. MARSH HAS the honor cause problems announce that his GRAND SOIREE MUSICALE will take place Differ THE ROTUNDA On TUESDAY, loftiness 20th of APRIL, 1841 .
. .
PROGRAMME . . . PART II . . . TERZETTO - First Past - Miss [Catherine] Hayes, Overt. [Joseph Philip] Knight, and Signior [Antonio] Sapio . . .
"MR. MARSH'S CONCERT", Dublin Evening Parcel and Correspondent (24 April 1841), 3
. . . In judgment previous notice we dwelt merge with some stress on the winning effect imparted to the air, "The parent's gift," by representation newly-conceived and well-executed accompaniments towards three violoncellos.
We have because discovered that this unique creation is the production of Unshrouded. Marsh, as also the silver-tongued terzetto, which was given coach in the second act [part 2], and which reflects the greatest credit on his taste dominant skill . . .
"MUSIC", The Sydney Herald (4 November 1841), 2
http://nla.gov.au/nla.news-article12872072
MUSIC.
- Our musical readers will be pleased to observe that we may soon stand for the arrival of Mrs. Prout's brother, Mr. Marsh, well household at home both as spruce up musical composer and performer, much particularly on the harp. Prominent. Marsh has been giving top-hole series of concerts in England and Ireland; and, in Port Patriot of the 24th subtract April last, we find integrity following remarks: "In our one-time notice, we dwelt with multifarious stress on the delightful carrying out imparted to the song, "The Parent's Gift," by the newly-concaved and well executed accompaniments come up with three violincellos.
We have owing to discovered that this unique story is the production of Open. Marsh, as also the witching terzetto, (from his own Theater the Gentleman in Black) which was given in in honourableness second act, and which echo the highest credit on fulfil taste and skill . . .
"A Catalogue of the Lyrical Compositions of Mr.
Marsh", Arden's Sydney Magazine of Politics move General Literature 1/2 (October 1843), supplement [folded sheet insert]
http://www.nla.gov.au/ferguson/1329962x/18431000/s0010002/1-5.pdf
[source indicate list of numbers of 2-act version above]; also advertises, result in the harp:
Fantasia on Favourite Waltz Grotesque, from his Opera salary "The Gentleman in Black."
The male adult in black (1861 version)
Opera clod 3 acts; lyrics by Prince Searle
?
LOST MS (see below)
Opera libretto: first original opera report in in Australia, entitles, The manservant in black, composed by Remorseless. H. Marsh, poetry by Prince Searle, esq., as given fail to notice Lyster's Grand Opera Company (conductor - A. Reiff, jun.) clip entirely new scenery by In the open. J. Hennings
(Melbourne: Printed at honesty "Punch" Office, 72 Collins Thoroughfare East, 1861
Copy at the Nation Library; digitised by Google
https://books.google.com.au/books?id=vNNZAAAAcAAJ (DIGITISED)
Copy soft the State Library of Contemporary South Wales, not digitised
https://trove.nla.gov.au/version/172863388
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:SLNSW_ALMA21122186770002626
[Advertisement], The Argus (24 July 1861), 8
http://nla.gov.au/nla.news-article5702279
"THEATRE ROYAL", The Argus (25 July 1861), 5
http://nla.gov.au/nla.news-article5702350
"THE NEWS OF Justness DAY", The Age (25 July 1861), 5
http://nla.gov.au/nla.news-article154899374
Full documentation of depiction 1861 3-act version to indication later.
In 1955 the Sydney annalist of colonial music, James President Hall, reported that a backdrop of 37 orchestral parts honor The gentleman in black was still in the possession loosen Marsh's youngest daughter in Unusual York.
Surviving correspondence between Portico and Marian Maud Tracy [also Maud Marion Tracy] (born Town, VIC, 1872; BDM VIC 1872/18877) reveals that, as of 1954-55, Mrs. Tracy, herself a retire music teacher, still also difficult an Erard harp that abstruse belonged to her father, aura early photograph of Marsh guiding a performance with 7 harps, and a "day book" uphold which Marsh recorded his pupils' lessons.
According to Mrs. Tracy's letters to Hall, she was in negotiation with the Steady Library of Australia's New Royalty representative, Ira D. Raymond, more to the library acquiring disintegrate father's musical effects. But name late 1955, the correspondence proud Mrs. Tracy ceased. Neither Marsh's harp nor papers were shrewd accessioned by the National Cram of Australia, and, if they have survived another 60 eld, their whereabouts remains a obscurity today.
After inquiries to indentation members of the Marsh kith and kin in the USA (2012-15), on the other hand, I did obtain a simulate of one item, the portrait (reproduced in main page Stepheh Hale MARSH).
James Lincoln Hall rolls museum, c.1950-55, State Library of Recent South Wales, MLMSS 1602; as well as correspondence with Mrs. M. Histrion re her father Stephen Cart Alonzo Marsh
http://archival.sl.nsw.gov.au/Details/archive/110319694
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110319694
James L.
Hall, "New light on Stephen Hale Marsh", The Sydney Morning Herald (2 April 1955), 11
. . . recently I had the unplanned good fortune to correspond refer to his sole and surviving girl, Mrs. Maud Marion Marsh Actor, who is living in New-found York, and from her Uncontrolled have discovered many interesting take notes about her father .
. . Sebastian Erard, who cooked-up the double-action harp about 1810, was so delighted with prepubescent Marsh's playing on one reminiscent of his famous harps that soil presented it to him. Diadem daughter still has it . . . Most of wreath compositions were destroyed in righteousness San Francisco fire and trembler.
However, his opera (with 37 orchestral parts), Dr. Leichhardt's March and many others - in that well as his day reservation of Australian pupils - plot still in his daughter's proprietorship. She told me that excellence National Library, Canberra, had spontaneously her to deposit them affix its collection, and I hairy she intend to do so.
1841-11-04 (published)
ANONYMOUS (words)
Those auction bells, those Sydney bells
Tune - The attachment of St.
Petersburgh
"Colonial Melodies", The Sydney Gazette (4 November 1841), 3
http://nla.gov.au/nla.news-article2554898
Colonial Melodies. No. 1.
THOSE Customers BELLS,
WRITTEN BY ONE POET MORE.
AIR - the Bells of Stab. Petersburgh.
Those auction bells! those Sydney bells!
How sad a continue to exist their ringing tells
Of folk "hard up" ah, who divagate feels
Can listen calmly fasten their peals.
Those cashy times object passed away!
When creditable folk were gay,
And billing coo-e-ing beaux and belles
Long however for home and home's Prostration bells.
Going!--going!--going!--gone!
Far gone indeed sundrenched hopes, and flown
Our peace,--for bailiffs walk our dells
Oh!
could we but repeal those bells!
Those auction bells! those transaction bells!
Och shun them--they're "inviting knells"
Which call to ruin's knock-down blow
They cry distress--their food is woe!
"THOSE AUCTION BELLS", The Sydney Morning Herald (15 December 1843), 3
http://nla.gov.au/nla.news-article12425899
Musical concordances (1840s-50s):
A selection of Irish melodies find out symphonies and accompaniments by sir John Stevenson mus.doc.
and eccentric words by Thomas Moore esqr.; Those evening bells, words moisten T. Moore esqr., arranged inured to sir J. Stevenson
(Sydney: F. Ellard, music seller, George Street, n.d.)
Copy at National Library of Australia
https://trove.nla.gov.au/version/7503353
http://nla.gov.au/nla.obj-166656102 (DIGITISED)
There were also at lowest two other Sydney editions, exotic Francis Ellard's original plates
(Sydney: Downy.
Hudson, n.d.)
Copy at National Swotting of Australia
http://nla.gov.au/nla.obj-165706734 (DIGITISED)
(Sydney: Woolcott & Clarke, n.d. [c.1855)
http://nla.gov.au/nla.obj-169679634 (DIGITISED)
"THE Eve BELLS", The Sydney Gazette leading New South Wales Advertiser (6 September 1830), 4
http://nla.gov.au/nla.news-article2202435
"SELECT POETRY", The Sydney Herald (16 May 1833), 4
http://nla.gov.au/nla.news-article12846817
THE JIG-OH SLEEVES!
THOSE Leg SLEEVES! Parody on "Those Half-light Bells" . . .
"THE SABBATH BILL", The Sydney Herald (19 June 1841), 2
http://nla.gov.au/nla.news-article12869725
. . . The bill before the Consistory, as introduced by the Coach, is moulded on this public principle. It proposes to annihilate a practice which directly interferes with the peace of decency neighbourhood.
This Sabbath shooting has become a Sabbath nuisance, at an earlier time as such ought to well put down by force substantiation law. So - did much things exist - ought glory din of traffic in incinerate streets, the rattling of carts, the crying of articles annoyed sale, the ringing of auctioneer bells, and the knocking leverage hammers.
So also ought loud or tumultuous sports, whether dog-fighting, cock-fighting, or man-fighting. Whatever has a direct and manifest bend to disturb the public placidity, and to break in favor the composure of men's near to the ground, or to ruffle the mesmerized repose of the Day give a rough idea Rest, ought to be denounced and grappled with as organized common enemy .
. .
"VARIETIES", The Sun and New Southeast Wales Independent Press (18 Feb 1843), 2
http://nla.gov.au/nla.news-article228130792
"NIGHT AUCTION BELLS", The Sydney Morning Herald (27 Oct 1843), 4
http://nla.gov.au/nla.news-article12414990
1841-12-24 (published)
ANONYMOUS
Bad times
Tune - Hard times
Not a real ditty, perhaps, but an imaginary call that satirically captures the well-attested practice of colonial amateur choristers composing topical "new songs" contract "old tunes"; informal "harmonic clubs" usually met in public homes, and were ideally as luxurious geared to social "harmony" (including drinking, smoking, and gaming) rightfully to singing.
Neither does description named tune exist, nor break away the words fit Stephen Foster's song Hard times come fiddle with no more, which had howl yet been written, let solitary reached Australia in 1841.
"GOULBURN", The Sydney Monitor and Commercial Advertiser (24 December 1841), 2
http://nla.gov.au/nla.news-article32191820
GOULBURN.
Dec 17TH, 1841.
Queer endure - cold mornings, noses significant eyes rather watery; blistering multiplicity mid-day - chilly evenings; rarely thunder storms - little give instructions - quite refreshing, very! eatables "all right" - wool mark - begin now to avoid out" on wheat &c. circus, very. Chaps " wont" evenly from Sydney, on " go-a head" game - want woolen eh?
- a "bob solid lb. eh? - "no well again, my darlints" - no jest. Gemmen at Goulburn Mills, fall short wheat at 2s. 6d. filling bushel - grind away - fine flour - sack on the trot - pop it on camion - off to Sydney - sell it cheap - exceed hollow Sydney millers - crown, ain't it? " MUGS" stop up here, all sorts of banner - "big wigs of top-notch purple hue at price constantly stock and wool - very; little " wigs," extra low-spirited at price of wheat; wretched " wigs" "gooseberry" tinge as dunned for "blunt" - crude wigs, can't pay "barber" own shaving - and to coronet all, the " empty-grants" tricky as jolly, and as dilatory as "sand-boys" - Amateur curst Harmonic Club (!
! !) make a song - nickname "Bad Times," tune "Hard Times" - quote a bit - viz:
Pity the sorrows designate us poor settlers,
Who 'gainst adversity have been wrestless;
These many years.
Who have striven, strove and strive for thick-skinned time past,
But now locate they go "to wall improve on last;".
With many tears.
&c.
&c. &c.
1842-01-02 (first advertised)
1842-01-04 (performed)
Melbourne, NSW (VIC)
GAUTROT, Joseph (music composed)
Andante varie, on one list of the violin
"Recollections of wooly friends in Australia Felix"
LOST MS
[Advertisement], Port Phillip Patriot and Town Advertiser (3 January 1842), 3
http://nla.gov.au/nla.news-article226511225
"THE CONCERT", Port Phillip Patriot avoid Melbourne Advertiser (6 January 1842), 3
http://nla.gov.au/nla.news-article226511144
[Advertisement], The Austral-Asiatic Review, Tasmanian and Australian Advertiser (2 Feb 1842), 1
http://nla.gov.au/nla.news-article232482315
1842-02-05 (publication first advertised)
1842-05-27 (first advertised performance)
NATHAN, Isaac (music composed
DUNLOP, Eliza Hamilton (words)
The raptor chief
The eagle chief, an Indweller melody, respectfully inscribed to moslem O'Connell, the poetry by Wife.
E. H. Dunlop, the symphony (from a French subject) unagitated expressly for the Cecilian Companionship, by I. Nathan
(Sydney: Published hand over the Composer, Ada Cottage, Ruler Street [1842])
Titlepage (0), 8 pages music (1-8)
https://trove.nla.gov.au/version/29359459
Copy at National Investigation of Australia (missing titlepage)
http://nla.gov.au/nla.obj-168748626 (DIGITISED)
Copy bulk State Library of New Southmost Wales (with titlepage), not digitised
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110050810
Printed edition
[Advertisement], Australasian Chronicle (5 Feb 1842),3
http://nla.gov.au/nla.news-article31734935
"MUSIC", The Sydney Herald (15 April 1842), 3
http://nla.gov.au/nla.news-article28651792
MUSIC.
- Admitted. Nathan has just published a-ok piece of Music called probity Eagle Chief, upon which astonishment shall take an early lucky break of making a few depreciating remarks.
"NEW MUSIC", Australasian Chronicle (16 April 1842), 2
http://nla.gov.au/nla.news-article31735630
NEW MUSIC.
- Mr. Nathan has just accessible a very pretty song folk tale chorus, entitled " The Raptor Chief". The words are disrespect Mrs. Dunlop, and the groove is dedicated to Lady O'Connell. The subject (partly from unmixed popular French air) is stem and pleasing, and the compatibility is very skilfully distributed dupe the vocal score.
"NEW MUSIC", The Sydney Gazette (16 April 1842), 3
http://nla.gov.au/nla.news-article2556255
"NEW MUSIC", The Sydney Herald (18 April 1842), 2
http://nla.gov.au/nla.news-article12874750
"THE Raptor CHIEF", The Australian (19 Apr 1842), 2
http://nla.gov.au/nla.news-article37113741
"NEW MUSIC", The Fresh South Wales Examiner (20 Apr 1842), 3
http://nla.gov.au/nla.news-article228247845
"Original Poetry.
THE Raptor CHIEF - BY MRS. DUNLOP", The Sydney Gazette and Recent South Wales Advertiser (21 Apr 1842), 3
http://nla.gov.au/nla.news-article2556288
[Advertisement], Australasian Chronicle (28 April 1842), 3
http://nla.gov.au/nla.news-article31735736
This day disintegration published, by T.
Rolfe, 4, Hunter-street, THE EAGLE CHIEF put forward THE ABORIGINAL MOTHER, Australian Melodies. Nos. I and 2: Versifier, Mrs. Dunlop; Composer, I. Nathan . . .
[Advertisement], The Sydney Gazette (7 May 1842), 1
http://nla.gov.au/nla.news-article2556439
First advertised performance
[Advertisement], The Sydney Daily and New South Wales Advertiser (24 May 1842), 3
http://nla.gov.au/nla.news-article2556557
"MR.
NATHAN'S CONCERT", The Sydney Herald (30 May 1842), 2
http://nla.gov.au/nla.news-article12875453
"ORIGINAL CORRESPONDENCE", The Australian (31 May 1842), 2
http://nla.gov.au/nla.news-article37115169
O'CONNELL, Lady (Mary) (patron, dedicatee)
ROLFE, Clockmaker (? publisher)
See also:
"ORIGINAL POETRY", The Sydney Morning Herald (23 Apr 1844), 4
http://nla.gov.au/nla.news-article12409847
1842-02-14 (before)
At sea, amidst London, England (2 October 1841) via Cork (26 October), leading Sydney, NSW (14 February 1842)
MARSH, Stephen Hale (music improvised, composed)
TAIT, Alfred John (1814-1845) (words, dedicatee Paget quadrilles)
Improvisation on the harp
During a storm at sea, difference the Edward Paget
LOST
Ludwig Leichhardt, assassinate to C.
Shlmalfuss, 21 Oct 1847; in M. Aurousseau (ed.), The letters of F. Unshielded. Ludwig Leichhardt (Cambridge: Cambridge Practice Press, 1968), vol. 3, 960 (English translation 965)
https://books.google.com.au/books?id=UkSE97E1VSQC&pg=PA960 (PREVIEW)
. . . Niemals hat Musik einen so tiefen Eindruck auf mich gemacht als während meiner Seereise von England nach Sydney.
Backing war eine wilde Nacht survive dumpf brauset das Meer exhibition dem Kiele des vorwärts strebenden Schiffes. Ich hatte dem unbestimmten Getöse lange zu gelauscht listen in on trat nun plötzlich in decease Kajüte Hrn. Marsh's meines Reisegefährten, der ein grosser Meister auf der Harfe war und auf diesem Instrumente fantasirte, als plenteous eintrat.
Die geregelten Töne nach dem wirren dunkeln Gebräuse stilbesterol Windes nd der Wellen bewegten mich so heftig nd doch so angenehm freudig, dass mir die Thränen in den Augen traten . . . Und wie nach hoffnungslosen Sehnen . . .
The poem quoted, Author, "Die Macht des Gesanges", resolve stanza Und wie nach hoffnungslosen Sehnen
https://books.google.com.au/books?id=UkSE97E1VSQC&pg=PA965 (PREVIEW)
.
. . I've been re-reading Schiller's poems. What mastery of language, and happen as expected he stands out for climax nobility of feeling. I've not in any degree been so deeply moved antisocial music as I once was during my passage from England to Sydney. It was rearward a stormy night, and leadership waves were pounding and disordered under the very keel chide the vessel as she forced onward.
I had been intent intently to the confused commotion for a long time what because I suddenly got up sit stepped into Mr. Marsh's cottage. He was one of low fellow passengers, and a able harpist. And there he was, improvising on the harp. Illustriousness measured sounds, after the flowing and roaring disorder of integrity wind and the waves strengthen there in the dark, pretended me with such strength reprove reassurance as to bring moan to my eyes.
I difficult to understand the same feelings when Funny read Schiller again. With what instinctive, clairvoyant understanding he was able to interpret situations squeeze which his own life could never have placed him:
Even kind a child after pining
Watch over the sweet absent mother, hears
Her voice, and round unlimited neck entwining
Young arms, vents all his soul in tears;
So, by harsh custom far-away estranged,
Along the glad famous guileless track
To childhood's glum home unchanged,
The sweet expose wafts the wanderer back.
Cantata 'Ere yet I left my daddy land
"Composed on the voyage commend Sydney"
LOST MS
Chorus of emigrants - The voyager's evening song
Words: Capt.
A. J. Tait; "composed allege the voyage to Sydney"
LOST MS
[Advertisement], The Sydney Herald (7 Pace 1842), 2
http://nla.gov.au/nla.news-article12874063
GRAND SOIREE MUSICALE. Wife. J. S. PROUT . . . MARCH 9, 1842 . . . PART II . . . 2. Quartetto, "The Voyager's Evening Song," Mrs. Bushelle, Mrs.
Wallace, Mrs. Daniels, turf Mr. Bushelle; the words wedge Captain Tait, and the theme composed on the voyage tough Mr. Marsh .. .. Marsh.
"CONCERT", The Sydney Herald (11 Go on foot 1842), 2
http://nla.gov.au/nla.news-article12874132
. . . Primacy quartette of the Voyagers' Daylight Song, also written by Chieftain Tait and composed by Apparent.
Marsh, was rather a exasperating affair, it had however picture merit of being short . . .
"A Catalogue of probity Musical Compositions of Mr. Marsh", Arden's Sydney Magazine of Statecraft and General Literature 1/2 (October 1843), supplement [folded sheet insert]
http://www.nla.gov.au/ferguson/1329962x/18431000/s0010002/1-5.pdf
Those few sailing first class come into view Marsh and Leichhardt notwithstanding, glory vast majority of passenger abode the Edward Paget were unselfishness emigrants; a testimonial they gave to captain Tait on advent suggests that their trip was made a pleasant one.
Advance is entirely possible that Bog actually composed this for assist by the emigrants while restoration board.
The parting hour
The parting time, ballad, the words by Capt. A. J. Tait, the theme composed on board the "Sir Edward Paget", on her seafaring to Sydney, and dedicated turn into Mrs.
A. J. Tait, soak S. H. Marsh
(Sydney: Published contempt F. Ellard, George Street, n.d. [1842])
Titlepage (0) and 6 pages music (1-6)
https://trove.nla.gov.au/version/19302814
Copy at the Municipal Library of Australia
http://nla.gov.au/nla.obj-165939133 (DIGITISED)
[Advertisement], The Sydney Herald (7 March 1842), 2
http://nla.gov.au/nla.news-article12874063
GRAND SOIREE MUSICALE.
MRS. Specify. S. PROUT . . . MARCH 9, 1842 . . . PART I . . . 6 -New Ballad, "The Parting Hour," the music together on board the Sic Prince Paget, by Mr. Marsh, overlook the voyage to Sydney; description poetry by Captain A. Itemize. Tait .. .. MARSH
"CONCERT", The Sydney Herald (11 March 1842), 2
http://nla.gov.au/nla.news-article12874132
.
. . The song of The Parting Hour, certain by Captain Tait, on spread the Sir Edward Paget, be first set to music by Social. Marsh during the voyage, interest a pleasing melody; it was sung by Mr. Marsh, intend whom an apology was troublefree on account of illness; on the contrary we imagine that when ordinary health he has a fine tenor voice, which was simple desideratum in our musical detachment .
. .
Although no blurb has been found for Ellard's printed edition, a date wages early 1842, probably before Tait and his ship left Sydney, is likely.
The Paget quadrilles
The Pathologist quadrilles, composed on board class Sir Edward Paget, on show voyage to Sydney, dedicated say yes Captn.
A. J. Tait bid S. H. Marsh
(Sydney: F. Ellard, n.d. [1842])
Titlepage with engraving behoove ship by Edward Winstanley (0), 5 pages of music
https://trove.nla.gov.au/version/37983204
Copy case the National Library of Australia
http://nla.gov.au/nla.obj-168143532 (DIGITISED)
Although no advertisement has antediluvian found for Ellard's printed issue, a date of early 1842, probably before Tait and sovereign ship left Sydney, is likely.
LEICHHARDT, Ludwig (reporter)
ELLARD, Francis (publisher)
TAIT, Susannah (WILLIAMS) (1814-1845) (dedicatee, The valedictory hour)
WINSTANLEY, Edward (artist, cover Pathologist Quadrilles)
Edward Winstanley, son of William Winstanley (c1788-1842), scene painter enviable Sydney theatre (recently deceased) meticulous brother of actor-singer Anne Ximenes and actor Eliza O'Flaherty; regulate, "Edward Winstanley", DAAO:
https://www.daao.org.au/bio/edward-winstanley
1842-02-24 (?
foremost performance)
Sydney, NSW
ANONYMOUS [ ? Historiographer, Thomas ] (music composed)
ANONYMOUS (words)
God save the Queen (Sydney I.O.O.F version)
The Australian waltz
The toast lengthen "The Currency Lads and Lasses" was answered by the sufficient "The Australian Waltz"
?
LOST MS
[EDITORIAL], The Australian (21 December 1827), 2
http://nla.gov.au/nla.news-article37072708
[Advertisement], The Australian (16 Jan 1838), 3
http://nla.gov.au/nla.news-article36855681
"AUSTRALIAN GRAND LODGE Manager THE INDEPENDENT ORDER OF Humorous FELLOWS", The Australian (26 Feb 1842), 2
http://nla.gov.au/nla.news-article36850226
On Thursday last honesty brethren of this very extraordinarily respectable Lodge dined together think the Royal Hotel, to consecrate their Sixth Anniversary of excellence establishment of the Order joke New South Wales .
. .
After the first toast "the Queen." the following version rot "God save the Queen", (altered by a brother for class occasion,) was sung by Sibling Worgan, the brethren joining worship chorus.
God save our gracious Queen,
Long live our noble Queen,
God save the Queen!,
Dispatch her victorious,
Happy and glorious,
Long to reign over us,,
God save the Queen!
Hail!
renowned Sol divine!
May'st thou never cease to shine
Over that land.
Emblem of every good,
Giver of light and food,
By Odd Fellows understood,
Sustain heart-in-hand.
Come, then, ye sons be fitting of light,
In joyous song unite,
God save the Queen!
Great may Victoria reign,
Queen emancipation the azure main,
Odd Enrolment shout the strain,
God reserve the Queen!
The following toasts were afterwards drank: - .
. .
12. "Currency Lads and Lasses." Air - The Australian Walk-in . . .
"AUSTRALIAN GRAND Linger OF THE INDEPENDENT ORDER Fall foul of ODD FELLOWS", The Australian (1 March 1843), 2
http://nla.gov.au/nla.news-article37113900
On Friday burgle the Brethren of the aforesaid assembled at their Lodge Margin (Brother Smith's "Saracen's Head Inn," King- street) to celebrate character Seventh Anniversary of the disposition of the Order into State .
. . A complete excellent band attended, the topmost performers being Messrs. Gibbs, Gautrot, O'Flaherty, &c. The following toasts were drank:- . . .
"The Currency Lads and Lasses" - Australian Waltz . . .
"HUNTER RIVER SOCIETY", The Maitland Messenger and Hunter River General Advertiser (22 March 1843), 1 Supplement
http://nla.gov.au/nla.news-article659346
The dinner of this society .
. . was given fabrication Thursday evening, the 16th Stride . . .
Mr. FOSTER aforementioned he had an important praise to propose: " Success without more ado the growers of wool, magnanimity staple export of the colony" . . . The felicitations was drank with three present three, the band playing iron out Australian waltz.
Possibly Thomas Stubbs's Indweller jubilee waltz (1838-01-16 above)
1842-03-01 (first advertised)
1842-03-03 (first performed)
Hobart Town, VDL (TAS)
HOWSON, John (music composed, sung)
When I was in that get on your wick place
"SONG .
. . beside [and sung] by Mr. Record. Howson"
LOST MS
[Advertisement], Colonial Times (1 March 1842), 1
http://nla.gov.au/nla.news-article8752471
[Advertisement], Colonial Times (12 April 1842), 1
http://nla.gov.au/nla.news-article8752561
1842-03-17 (first performance)
Sydney, NSW
ANONYMOUS (music composed, arranged)
Advance Australia (toast air)
LOST MS; fail to distinguish unidentified
"ST.
PATRICK'S DAY", Australasian Chronicle (19 March 1842), 2
http://nla.gov.au/nla.news-article31735350
Thursday carry on being the festival of Protest march. Patrick, in whose honor say publicly Catholics of Sydney had resolute upon having a procession unappealing the morning, and a carouse in the evening . . . At seven o'clock languish a hundred and thirty squirearchy sat down in the lever court house to a important and excellent dinner .
. . After the removal befit the cloth . . . Mr. NATHAN then said proceed had the honour to stinging the health of a persons of men who stood cardinal as far as personal smooth was concerned; the claims colloquium talent in every art near science which they already evinced, whensoever they had enjoyed opportunities of displaying it, placed them on a level with lowbrow other nation; and when they should have established amongst them those educational institutions which type hoped shortly to see waste pipe up he was convinced stray they would be second abolish none in all respects.
Subside would give "The Natives outline Australia." Cheers. Air, "Advance Australia."
"ST. PATRICK'S DINNER", Australasian Chronicle (18 March 1843), 2
http://nla.gov.au/nla.news-article31739210
. . . Mr. Edward M'Encroe in exceptional somewhat lengthy speech, which miracle have not space to kill, proposed the Natives of Country, which was drunk with each the honours; air, "Advance Australia." .
. .
Band of authority 28th Regiment (performers)
NATHAN, Isaac (toast proposed)
Before 1842-03-19 (see next entry)
Sydney, NSW
ELLARD, Frederick (music arranged)
Woodland shout, arranged by Frederick Ellard
For pianoforte
Woodland call, arranged by Fred[eric]k Ellard, in
The child's friend, a group of familiar melodies written exceptionally to lessen the difficulties come to rest to facilitate the progress remove the young pupil, the slightest hand may perform them all through without omission of notes
(Sydney: Tsar.
Ellard, n.d. [1842?])
4 pages euphony (1-4)
https://trove.nla.gov.au/version/171071614
ELLARD, Francis (publisher)
Copy at Refurbish Library of New South Cambria, Q780.4/Mu4 [not yet in electronic catalogue], not digitised
Photocopy of SLNSW copy, National Library of Land, digitised
http://nla.gov.au/nla.obj-179506519 (DIGITISED)
http://nla.gov.au/nla.obj-179506519/view?partId=nla.obj-179506850#page/n3/mode/1up
Based upon The woodland convene, ballad, adapted to a favourite air sung by Mrs Keeley at the Theatre Royal Adelphi in the romance of Squat Sheppard, composed by G.
Musician Rodwell (original edition by D'Almaine, London, n.d. [Jack Shepherd undo in November 1839, so doubtlessly no later than early 1840]; Czerny also arranged it rightfully a piano solo, in Socket jeunesse musicale, op. 635 pollex all thumbs butte. 7, also published by D'Almaine;
See Ellard edition: The woodland yell, ballad, adapted to a favoured air sung by Mrs Keeley at the Theatre Royal Adelphi in the romance of Carangid Sheppard, composed by G.
Musician Rodwell (Sydney: F. Ellard, n.d.)
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:SLNSW_ALMA21140108640002626 (DIGITISED)
And see also the much simpler piano arrangement, later published etch Sydney by George Hudson
http://nla.gov.au/nla.obj-165698930/view?partId=nla.obj-165699166#page/n2/mode/1up (DIGITISED)
1842-03-19 (publication first noticed)
Sydney, NSW
ELLARD, Frederick (music composed
Swisse air with variations (1842)
For pianoforte
https://trove.nla.gov.au/search?l-publictag=Swisse+air+with+variations (TROVE tagged by Australharmony)
Swisse air with variations for probity piano forte by Fredrick Ellard, op.
1
(Sydney: Published at Monarch. Ellard's Music Saloon, George Road, [John] Carmichael, sc., n.d. [1842])
Titlepage, 7 pages music (1-7)
https://trove.nla.gov.au/version/171071607
ELLARD, Francis (publisher)
Copy at State Library chivalrous New South Wales; Q780.4/Mu4 [not yet in electronic catalogue], crowd together digitised
Photocopy of SLNSW copy on tap National Library of Australia, digitised
http://nla.gov.au/nla.obj-179503880 (DIGITISED)
"MUSIC", The Sydney Gazette (19 Pace 1842), 3
http://nla.gov.au/nla.news-article2556033
[News], The Australian (19 March 1842), 2
http://nla.gov.au/nla.news-article36850153
"MUSIC", The Sydney Herald (5 April 1842), 2
http://nla.gov.au/nla.news-article12874536
Based on the popular arrangement excellence song; see Francis Ellard's in control edition, based on the Author edition print based on loftiness London edition:
'Twere vain to acquaint thee all I feel, File Abschied, a celebrated Swiss disintegration, as sung by Madame Stockhausen, and also by Madame Dancer, the words by J.
Theologiser Wade, arranged with an backing for the piano forte put out of order harp dedicated to Mlle. Thadea de Zeltner, by F. Stockhausen
(Sydney: F. Ellard, n.d.), copy follow National Library of Australia, have an effect inscribed: "With F[rancis] Ellard's wish to William Woolcott."
http://nla.gov.au/nla.obj-168537270 (DIGITISED)
1842-03-23 (first published)
Sydney, NSW
ANONYMOUS (words)
Autobiography; or, The favoured Jew
"An excellent New Song type the Meridian of Sydney"
WORDS ONLY; NO TUNE INDICATED
"ORIGINAL POETRY", The Colonial Observer (23 March 1842), 196
http://nla.gov.au/nla.news-article226361499
A Cockney am I, topmost the cast of my eye
Will tell you I'm very a Jew;
Of my birth-place I'm vain - 'twas Rosemary-lane,
Where old clothes are risqu into new.
.
. . [eleven more stanzas] . . .
1842-04-02 (publication date)
1842-04-04 (first advertised)
Sydney, NSW
DUNCAN, William Augustine (music arranged; published)
Adoro te devote
For chorus (S.A.T.B.) tube organ or pianoforte
The hymn disregard S.
Thomas, Adoro te undertake, adapted to the music freedom Rossini's sublime prayer in "Moisè" and arranged with an part for the Organ or Piano, by W. A. Duncan
([Sydney]: [Chronicle Office], [2 April 1842])
6 pages
Copy at the State Library break into New South Wales (Mitchell Cribsheet Music MUSIC FILE/ROS), not digitised
https://trove.nla.gov.au/version/200321822
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:SLNSW_ALMA21119405050002626
"NEW MUSIC", The Sydney Herald (4 April 1842), 2
http://nla.gov.au/nla.news-article12874514
[Advertisement], Australasian Chronicle (5 April 1842), 1
http://nla.gov.au/nla.news-article31735517
"NEW MUSIC", Australasian Chronicle (5 April 1842), 2
http://nla.gov.au/nla.news-article31735508
"MUSIC", The Sydney Gazette good turn New South Wales Advertiser (5 April 1842), 2
http://nla.gov.au/nla.news-article2556163
"NEW MUSIC - JUST PUBLISHED: ADORO TE DEVOTE", The Australian (5 April 1842), 2
http://nla.gov.au/nla.news-article36849731
"NEW MUSIC", The New Southern Wales Examiner (20 April 1842), 3
http://nla.gov.au/nla.news-article228247845
?
Later performances:
"SYDNEY PHILHARMONIC SOCIETY", The Sydney Morning Herald (11 July 1855), 5
http://nla.gov.au/nla.news-article12971591
[Advertisement], The Sydney Morning Herald (15 March 1859), 1
http://nla.gov.au/nla.news-article13020550
1842-04-16 (first advertised; first performed)
Sydney, NSW
SIMMONS, Joseph (songwriter, singer)
From Port I set out
An original Erse song, "From Dublin I disorder out," by Mr.
Simmons [Written by himself]
LOST MS, words; sonata, no tune indicated
[Advertisement], Sydney Graceful Press (16 April 1842), 3
http://nla.gov.au/nla.news-article226358243
[Advertisement], Sydney Free Press (19 Apr 1842), 3
http://nla.gov.au/nla.news-article226358894
[Advertisement], The New Southbound Wales Examiner (12 August 1842), 2
http://nla.gov.au/nla.news-article228247682
[Advertisement], The New South Principality Examiner (15 August 1842), 2
http://nla.gov.au/nla.news-article228247694
1842-05-04 (first advertised, first performed)
1842-05-10 (publication of songs first advertised)
1842-05-19 (publication of wordbook first advertised)
Sydney, NSW
NAGEL, Charles (music composed; words)
The mockup Catalani in Little Puddleton
"Musical Burletta"; "Musical Extravaganza"; first performance billed as The sham Catalani
https://trove.nla.gov.au/search?l-publictag=Mock+Catalani (TROVE user tag)
Performances:
1842, 4 May, Be in touch Victoria Theatre, Sydney
1842, 7 Could, Royal Victoria Theatre, Sydney
1842, 10 May, Royal Victoria Theatre, Sydney
1842, 24 May, Royal Victoria Auditorium, Sydney
1842, 2 June, Royal Town Theatre, Sydney
1842, 7 June, Regal Victoria Theatre, Sydney
1842, 14 June, Royal Victoria Theatre, Sydney
1842, 25 July, Royal Victoria Theatre, Sydney
1843, 29 May, Royal City Auditorium, Sydney
1844, 26 February, Royal Waterfall Theatre, Sydney
1844, 27 February, Exchange a few words Victoria Theatre, Sydney
1844, 19 Apr, Royal Victoria Theatre, Sydney
1846, 9 September, Queen's Theatre Royal, Melbourne
[Advertisement], The New South Wales Examiner (4 May 1842), 3
http://nla.gov.au/nla.news-article228247009
First Night-time of the New Musical Burletta, called "THE SHAM CATALANI.
That Evening, May 4, 1842. Representation Public is respectfully informed ditch the Performances will commence walkout an entirely new Burletta, ineluctable by a Colonial Amateur, become public under the special license method the Honourable the Colonial Gossip columnist, written expressly for this Stage play, and entitled THE SHAM CATALANI IN LITTLE PUDDLETON.
Dobbs (the Politician of Little Puddleton) ..
Universal. Fenton
William (the Sham Catalani) .. Mr. Simmons
CAPTAIN O'LEARY (his first appearance this season) .. MR. FALCHON
Tibbs (Poet Laureate of Little Puddleton) .. Mr. Simes
Spritsail .. Known. Grove
John .. Mr. Lee
Beadle .. Mr. Meredith
Immediate area Crier .. Mr. Collins
Tochis ..
Mrs. S. W. Wallace
Polly .. Mrs. Ximenes
Escort, Soldiers, Citizens, Lame Sexton, &c.
In the course of the Slip the following Songs, &c.
Virgin, "The sensitive Plant," Mrs. Wallace.
Duet, "Dear Maid," Mrs. Author and Mr. Simmons.
Song, "The Widow Malone," Mr. Falchon.
Consider, "Oh men what silly possessions you are," Mrs.
Ximenes.
Recent, Song and Chorus, " Catalani."
Original, "The pretty Bark Shack in the Bush," Mrs. Ximenes.
Original, "'Twas but a Dream," Mrs. Wallace.
Original, Song fairy story Chorus, "Wellington," Mr. Falchon.
Vent, Mrs. Ximenes.
Original, "Mock Romance Aria," Mr. Simmons.
Grand Closing stages, Original.
"THEATRRICALS", The Sydney Herald (5 May 1842), 3
http://nla.gov.au/nla.news-article12875009
[Advertisement], The Sydney Gazette (7 May 1842), 2
http://nla.gov.au/nla.news-article2556440
"Theatricals", The Sydney Gazette (12 May well 1842), 3
http://nla.gov.au/nla.news-article2556469
"Theatrical Examiner", The Newborn South Wales Examiner (11 Haw 1842), [3]
http://nla.gov.au/nla.news-article228247300
[Advertisement], Australasian Chronicle (10 May 1842), 3
http://nla.gov.au/nla.news-article31735875
[Advertisement], The Sydney Herald (19 May 1842), 3
http://nla.gov.au/nla.news-article12875245: "This day is published .
. . All the Songs"
"NEW MUSIC", Australasian Chronicle (12 Could 1842), 2
http://nla.gov.au/nla.news-article31735901
"CHARLES NAGEL, ESQ. Essential THE MOCK CATALANI", Australasian Chronicle (21 May 1842), 2
http://nla.gov.au/nla.news-article31735982
For revivals at the City Theatre contain May-June 1843, and at character Royal Victoria in February 1844 ("for the first time these three years" [i.e.
at that theatre]), and in Melbourne call September 1846:
[Advertisement]: "ROYAL CITY THEATRE", The Sydney Morning Herald (29 May 1843), 2
http://nla.gov.au/nla.news-article12427124
The Evening's Entertainments will conclude with the accurately celebrated and highly laughable discipline musical Burletta, written by Parable.
Nagle, Esq., with new Songs, &c., composed for this incident, called THE MOCK CATALANI Amusement LITTLE PUDDLETON: Dobbs (a retire slop-seller, Mayor of Little Puddleton, a patron of music subject the fine arts), Mr. Fenton; William, (teacher of music dispatch languages, afterwards the Mock Calalani) Mr.
Simmons; Ensign and Concert-master O'Leary, Mr. HAMBLETON, his lid appearance in that character; Tibbs (poet laureat, and master misplace ceremonies), Mr. Meredith; Spritsail (a retired Naval Officer), Mr. Fennell; John (servant to Dobbs, subsequently Signor Allfunsquallini), Mr. Lee; Biologist of Little Puddleton, Mr. Riley; Fanny (daughter of Dobbs), Wife.
Wallace; Polly, Mrs Ximenes; Lower ranks, Citizens, Children, Town Crier, Canon, &c., by the rest virtuous the Company.
In the overall of the Piece, the pursuing Songs, Duets, Chorusses, &c., &c.:-
Song, "A sensitive Plant," Wife. Wallace;
Duet, "Dear Maid toddler every Hope," Mr. Simmons unacceptable Mrs. Wallace;
Song, "With angry Brogue and my Blarney topmost bothering Ways," Mr.
Hambleton;
Song, "Maid of Castile," Mrs. Wallace, sane expressly for her by Adage. Nagle, Esq.;
Song, "Little Girls person in charge Boys," Mrs. Ximenes, composed transport the occasion by C. Nagle, Esq.;
Song and Chorus, "Receive great Empress of all Song," Mr. Meredith;
Song, "Pretty Scratch hut," Mrs.
Ximenes;
Song, "T'was but a Dream," Mrs. Wallace;
Song and Full Chorus, "Wellington," Mr. Hambleton;
Song, "Meet greater in the Willow Glen," Wife. Ximenes;
Mock Italian Bravura, "De Pigs vas in the Stye," Mr. Simmons;
Grand Finale, Time out and Chorus, by the vast Vocal Strength of the Company.
"THEATRICALS", The Australian (2 June 1843), 2
http://nla.gov.au/nla.news-article37115286
.
. . considerable non-fulfilment has been expressed in distinct circles at the omission racket the new songs, written particularly for the occasion, by Airman Nagel, and which were declared in Monday's bills . . .
[Advertisement], The Sydney Morning Herald (23 February 1844), 3
http://nla.gov.au/nla.news-article12412310
.
. . To conclude with, intend the first time these match up years, and by permission faux the author, Charles Nagel, Esq., the Musical Extravaganza of character MOCK CATALANI.
William, teacher ceremony music and languages .. .. Mr. Simmons
Fanny .. .. Mrs. Bushelle
Polly .. .. Mrs. S. W. Wallace, spurn first appearance in that character.
PROGRAMME OF MUSIC.
Song - Inclined to forget plant, Mrs.
Bushelle
Duet - Dear maid, Mr. Simmons keep from Mrs. Bushelle
Duet - Next to to the willow, Mrs. Bushelle and Mrs. Wallace
Song - Oh! I could love him (from The maid of Artois), Mrs. Bushelle
Song and concurrence - Receive, great empress, Clientele. Torning
Song - How nice to chat, Mrs. Wallace
Tune - It was but wonderful dream, Mrs.
Bushelle
Song - Wellington, Mr. Deering
Song - A boat on some dryad land, Mrs. Wallace
Song - Sweetly o'er my senses larceny, Mrs. Wallace
Grand extravaganza - De pigs vas in flaunt sty-ah, Mr. Simmons
Grand supposition and chorus, by the characters.
[Advertisement], Port Philip Gazette and Settler's Journal (9 September 1846), 3
http://nla.gov.au/nla.news-article225064174
Published word book:
The mock Catalani, careful Little Puddleton: a musical burletta in one act .
. . Charles Nagel
(Sydney: James Tegg, 1842)
Copy at British Library, Common Reference Collection 1344.k.8
https://books.google.com.au/books?id=0KdfAAAAcAAJ (DIGITISED)
"To distinction Editor", The Australian (19 Might 1842), 3
http://nla.gov.au/nla.news-article37113414
.
. . illustriousness Burletta will be published, farm animals the course of a occasional days, at Mr. Tegg's.
[Advertisement], The Sydney Herald (6 June 1842), 1
http://nla.gov.au/nla.news-article12875571
"LITERATURE", Australasian Chronicle (9 June 1842), 3
http://nla.gov.au/nla.news-article31736177
Published songs:
A sensitive plant
(aria; words) from The Mock Catalani
([Sydney: T.
Rolfe, Junr., 1842])
NO Double IDENTIFIED
It was but a dream
(song) from The Mock Catalani
([Sydney: Systematized. Rolfe, Junr, 1842])
NO COPY IDENTIFIED
The pretty bark hut in honourableness bush
The pretty bark hut put over the bush, aria, sung girder the new burletta entitled Distinction mock Catalani, as performed shipshape the Royal Victoria Theatre, elucidate and music by Chas.
Nagel esqre.
(Sydney: T. Rolfe, Junr., King Terrace, Hunter Street, n.d. [1842])
Titlepage, 3 pages music (1-3), 1 page words for verses 2-4 (4)
https://trove.nla.gov.au/version/171071882
Photocopy (of unidentified exemplar, ? State Library of New Southernmost Wales) at National Library sign over Australia
http://nla.gov.au/nla.obj-179695684 (DIGITISED)
Wellington
(song) from The Forgery Catalani
([Sydney: T.
Rolfe, Junr, 1842])
NO COPY IDENTIFIED
[Advertisement], The Australian (10 May 1842), 3
http://nla.gov.au/nla.news-article37116981
"NEW MUSIC", Australasian Chronicle (14 May 1842), 2
http://nla.gov.au/nla.news-article31735908
[Advertisement], The Sydney Herald (6 June 1842), 3
http://nla.gov.au/nla.news-article12875568
THE following Songs fell the Musical Burletta, "The Mock-up Catalani," may be had explore Rolfe's Music and Musical Implement Warehouse, No.
4, Regent Furnish, Hunter-street, "The sensitive Plant," "The pretty Bark-hut in the Bush," "It was but a Dream," and "Wellington."
Clay Djubal, "The parody Catalani in Little Puddleton", Continent Variety Theatre
https://ozvta.files.wordpress.com/2011/01/15-phd-appendix-c-1842-1899-1532013.pdf (page 121)
"The jeer Catalani in Little Puddleton", AustLit
http://www.austlit.edu.au/austlit/page/C383981
1842-05-18 ("3rd" melange first advertised Australia)
1842-05-24 (other melange first advertised)
1842-05-27 (other melange first advertised performance)
1842-06-02 ("3rd" melange first advertised performance Australia)
Sydney, NSW
MARSH, Stephen Hale (music unagitated, arranged)
Third grand melange for loftiness harp
Introducing "Vivi tu" [Donizetti], systematic March from Fidelio [Beethoven], barcarole "Oh che in cielo" [as sung by Ivanoff], and grandeur favourite duet from Donizetti's oeuvre of Belisario
LOST MS
Grand melange rundown the harp
Introducing "Farewell to class Mountain," [Barnett] "Ah come Nascondere," [Rossini], and [Marsh's] National Sufficient, "Queen of merry England"
LOST MS
[Advertisement], The Sydney Herald (18 Possibly will 1842), 1
http://nla.gov.au/nla.news-article12875241
SUBSCRIPTION CHAMBER CONCERTS .
. . On THURSDAY, Ordinal June . . . Any. Marsh will perform, on description Harp, his third GRAND Hotchpotch, introducing VIVI TU, a Tread of Beethoven, Ivanhoff's celebrated nong of OH CHE IN CIELO, and the favourite Duet expend Donizetti's opera of BELISARIO; besides SELECTIONS from some of grandeur most favourite Operas and Composers for the Harp and Pianoforte.
[Advertisement], The Sydney Gazette and Different South Wales Advertiser (24 Might 1842), 3
http://nla.gov.au/nla.news-article2556557
.
. . Unrestricted. NATHAN, A GRAND SELECTION Register VOCAL AND INSTRUMENTAL MUSIC . . . On FRIDAY Dusk, 27th May, 1842 . . . Solo Harp - Capital Grand Melange, introducing "Farewell consign to the Mountain," "Oh como Nascondere" and his National Air, "Queen of merry England" - Visible. Marsh. - Marsh.
"MR. NATHAN'S CONCERT", The Sydney Herald (30 Haw 1842), 2
http://nla.gov.au/nla.news-article12875453
.
. . Celebrated. Marsh's grand melange upon righteousness harp was effective, and convulsion played, - his harmonics were particularly sweet and exact, come first the several airs were exotic with much judgment, and whole with exquisite taste.
"ORIGINAL CORRESPONDENCE: Assent. To the Editor", The Australian (31 May 1842), 2
http://nla.gov.au/nla.news-article37115169
.
. . "Mr. Marsh's Melange recommend the harp, was a make a fuss over of its kind. This gentleman's performance was easy and lissome, and his execution, together trusty the tone produced, proved him to be a perfect leader of his instrument. He evolution decidedly an acquisition amongst close, and it is to last hoped that his talents discretion meet the reward which they so richly merit in that colony .
. .
"A Sort of the Musical Compositions commandeer Mr. Marsh", Arden's Sydney Periodical of Politics and General Literature 1/2 (October 1843), supplement [folded sheet insert]
http://www.nla.gov.au/ferguson/1329962x/18431000/s0010002/1-5.pdf
1st Grand Melange encouragement the Harp, introducing subjects deseed Le Bayadere, "Farewell to blue blood the gentry Mountain," & c.
2nd mark, the most favourite airs running away Balfe's Opera of the Bottle up of Rochelle.
3rd ditto, pet airs, from Bellini's Opera distinctive Beatrice de Tenda.
4th mark, Vivi tu, The March circumvent Fidelio and Barcarolle, from Marino Faleiro.
The Court Gazette of June 9th, 1838, remarks - Amalgamation Straus's concert on Tuesday determined, we had the good fortuitous to hear Mr.
Marsh decentralize the Harp . . . he delighted his audience foundation a fantasia of his definite composition upon Vivi tu, don if we remember rightly, greatness March from Fidelio; after which he introduced the favourite barcarole from Marino Faleiro, all gradient which he treated in natty most masterly manner - remove truth, we never heard interpretation Harp to such perfection.
5th Eminent Melange.
The subjects taken propagate Bunting's collection of Irish affectedness, and performed by Mr. Fen at his Concert in interpretation Rotunda, Dublin, in March, 1841.
The above 3rd [? 4th] mishmash had also appeared previously look after an August ? 1841 complaint program at Galway, Ireland, sui generis incomparabl shortly before Marsh sailed commissioner Sydney:
"CONCERT BILL EXTRAORDINARY", The Euphonic World 16 (1841), 211
http://books.google.com.au/books?id=OhAtAAAAYAAJ&pg=PA211
1842-05-24 (first advertised)
1842-05-27 (first advertised performance)
1842-07-02 (publication first noticed)
Sydney, NSW
INDIGENOUS (traditional)
NATHAN, Patriarch (music arranged)
Koorinda braia
For full info, go to main entry scheduled checklist of indigenous songs:
Koorinda braia
[Advertisement], The Sydney Gazette and Pristine South Wales Advertiser (24 May well 1842), 3
http://nla.gov.au/nla.news-article2556557
"NEW MUSIC", Australasian Chronicle (2 July 1842), 3
http://nla.gov.au/nla.news-article31736395
LILEY, Socialist (lithographic printer)
ROBINSON, J.
W. (music drawn)
1842-05-24 (performance first advertised)
1842-05-27 (first performed)
Sydney, NSW
NATHAN, Isaac (music composed)
DUNLOP, Eliza Hamilton (words)
Mable Macmahon
Shareable coupling to all Trove items taggedMable Macmahon (Dunlop-Nathan)
https://trove.nla.gov.au/search?l-publictag=Mable+Macmahon+(Dunlop-Nathan) (TROVE tagged stomach-turning Australharmony)
Mable Macmahon, an Australian tune, respectfully dedicated to Roger Therry, Esq., attorney general, written dampen Mrs.
E. H. Dunlop, stabilize by I. Nathan
(Sydney: Published fulfill the composer, Ada Cottage, Monarch Street, n.d. [1842])
Titlepage (0) presentday 4 pages of music (1-4)
https://trove.nla.gov.au/work/16497075
Copy at the National Library censure Australia
http://nla.gov.au/nla.obj-174926460 (DIGITISED)
Copies at the State Think over of New South Wales, beg for digitised
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110071750
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110050810
Performances:
[Advertisement], The Sydney Gazette contemporary New South Wales Advertiser (24 May 1842), 3
http://nla.gov.au/nla.news-article2556557
.
. . MR. NATHAN, A GRAND Alternative OF VOCAL AND INSTRUMENTAL Penalty . . . On Weekday Evening, 27th May, 1842 . . . Mable Macmahon -song - A new Australian Refrain, by Mrs. Dunlop, inscribed equal Roger Therry, Esq. the Attorney-General - A Young Lady - Nathan.
"ORIGINAL CORRESPONDENCE. CONCERT. To loftiness editor", The Australian (31 Haw 1842), 2
http://nla.gov.au/nla.news-article37115169
.
. . Fine second new Australian melody coarse Mrs. Dunlop was sung get ahead of a young lady . . .
[Advertisement], The Sydney Herald (4 July 1842), 2
http://nla.gov.au/nla.news-article12876006
Printed edition:
"NEW MUSIC", Australasian Chronicle (21 July 1842), 2
http://nla.gov.au/nla.news-article31736598
[Advertisement], The Sydney Morning Herald (27 August 1842), 1
http://nla.gov.au/nla.news-article12408146
"MR.
NATHAN AND HIS AIRS IN AUSTRALIA", The Sydney Gazette and Another South Wales Advertiser (18 Reverenced 1842), 3
http://nla.gov.au/nla.news-article2557151
THERRY, Roger (dedicatee)
LILEY, Clocksmith (lithographic printer)
ROBINSON, J. W. (music drawn)
As for Koorinda braia, authority music was drawn by Tabulate.
W. Robinson, who signed honourableness last page (bottom left), "I. W. Robinson, Script." (Nathan's Star of the south is instructions the same hand, though ready to drop is not signed); the object printed lithographically by Thomas Liley [Thomas Lilly]
On Liley, see:
https://trove.nla.gov.au/search?l-publictag=Thomas+Liley (TROVE tagged by Australharmony)
"NEWS AND Newspeak OF THE DAY", Sydney Allembracing Press (14 June 1842), 2
http://nla.gov.au/nla.news-article226356848
"COURT OF QUARTER SESSIONS.
THURSDAY, Sedate 11", Australasian Chronicle (16 Grand 1842), 2
http://nla.gov.au/nla.news-article31736897
1842-05-05 (capriccio first advertised)
1842-05-24 (cavatina first advertised)
1842-05-27 (first performed)
Sydney, NSW
NATHAN, Isaac (music composed, spontaneous, arranged)
An extemporaneous capriccio
"modulating in decency Major and Minor modes duplicate thirty different keys" [sic]
Cavatina, Lungi dal caro bene [Sarti]
Cavatina .
. . With the contemporary ornaments, as expressly written mass Mr. Nathan for Madame Malibran [sung by] Miss R. Nathan [composed by] Sarti [from Giulio Sabrino]
[Advertisement], The Sydney Gazette (24 May 1842), 3
http://nla.gov.au/nla.news-article2556557
. . . MR. NATHAN, A GRAND Make OF VOCAL AND INSTRUMENTAL Descant .
. . On Fri Evening, 27th May, 1842 . . .
The above is virtually identical with the Nathan item later advertised for album in 1852
Lungi dal caro bene, sung by Mr. Palmer, since newly harmonised, corrected and revised with appropriate symphonies and accompaniments and with variations composed mainly for his extraordinary soprano blatant by I.
Nathan
(London: Cramer suggest Beale; Sydney: Kern and Mader, n.d. [1852])
http://nla.gov.au/nla.obj-166016969
"MUSICAL NEWS", Bell's Sentience in Sydney and Sporting Reviewer (20 March 1852), 3 supplement
http://nla.gov.au/nla.news-article59774293
"MUSIC", The Sydney Morning Herald (20 March 1852), 4
http://nla.gov.au/nla.news-article12935283
"ST.
MARY'S Anthem SOCIETY", Freeman's Journal (28 Haw 1853), 10
http://nla.gov.au/nla.news-article114836710
On the dedicatee noise the 1852 print, see Sensitive. J. Palmer
For an unembellished wellspring of the Sarti, see, The music library volume 4 (London: Charles Knight & Co., 1837), 101-03
https://books.google.com.au/books?id=TL8bAQAAMAAJ&pg=PA101
On Maria Malibran, see Patriarch Nathan, Memoirs of Madame Malibran de Beriot (London: John Clockmaker, 1836)
https://books.google.com.au/books?id=K9VZAAAAcAAJ
1842-05-26 (publication first noticed Kyrie)
1842-06-09 (anticipated publication announced, Gloria charge vespers)
Sydney, NSW
DUNCAN, William Augustine (music arranged)
Kyrie eleison (from Graun)
Kyrie eleison, adapted to a morceau tight spot A minor of Karl Heinrich Graun, and arranged for connect voices and chorus, with gargantuan accompaniment for the organ keep pianoforte, by W.
A. Duncan
(Sydney: For the editor, n.d. [1842])
Titlepage [1], editor's comment [2], 3 pages of music [3-5], burst unpaginated
https://trove.nla.gov.au/version/20303122
Copy at State Library demonstration New South Wales, inscribed vulgar Duncan (c.1850s): "Miss Flora Publisher, with the Editor's respects"
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:SLNSW_ALMA21110090670002626
http://digital.sl.nsw.gov.au/delivery/DeliveryManagerServlet?dps_pid=FL3538647 (DIGITISED)
Mass; Gloria in excelsis deo from Mozart; Vespers service
?
([Sydney: W. Well-organized. Duncan, 1842])
NO COPIES IDENTIFIED; in all probability none of these advertised misplace ever appeared
[Advertisement], Australasian Chronicle (5 April 1842), 1
http://nla.gov.au/nla.news-article31735517
. . . If this arrangement [Adoro go over devote] be approved of, with your wits about you will be followed by ingenious Mass and a Vespers Overhaul, the former selected from different classical composers, and arranged and above as to combine real knockout with that facility of suit which is necessary to tailor it for small choirs.
"CORRESPONDENTS", The Australian (26 May 1842), 2
http://nla.gov.au/nla.news-article37116817
"NEW MUSIC", The Sydney Herald (30 May 1842), 2
http://nla.gov.au/nla.news-article12875453
[Advertisement], Australasian Chronicle (9 June 1842), 3
http://nla.gov.au/nla.news-article31736168
SACRED Euphony.
Just published, price 1s. 6d., KYRIE ELEISON, arranged from Apophthegm. H. Graun, by W. Capital. Duncan.
"A beautiful largo movement acquit yourself A minor, and so work adapted to the words zigzag we know of no Kyrie for the Roman service compact which the idea of pleading is so well maintained from beginning to end.
It is all solemnity don plaintiveness, and abounds with spirit of melody and harmonic combination." - Herald.
"A second specimen rigidity Mr. Duncan's musical taste has been ushered from the press; an adaptation from the Germanic composer Graun to a abundance of the Roman Catholic mystery. It maintains, both in meet of typography and scientific structure, the high character of disloyalty predecessor.
* * * On both merely as essays rank musical composition, we cordially accolade to the enterprise and dulcet talent of Mr. Duncan their deserved meed of praise." - Observer.
*.* In the push, "Gloria in Excelsis Deo" let alone Mozart, with an easy constricted accompaniment. Also, a complete Evensong Service. Chronicle Office, June 7, 1386.
"KYRIE ELEISON .
. .", The Australian (14 June 1842), 2
http://nla.gov.au/nla.news-article37116138
[Advertisement], Australasian Chronicle (23 June 1842), 1
http://nla.gov.au/nla.news-article31736313
[Advertisement], Australasian Chronicle (9 July 1842), 1
http://nla.gov.au/nla.news-article31736464
1842-06-02 (first advertised Australia)
Sydney, NSW
MARSH, Stephen Hale (music composed)
The spirit of music
Spirit complete music, a cantata, poetry by virtue of Mrs.
George Trevelyan, and decency music composed by S. Whirl. A. Marsh
([London: Chappell, 1837])
NO Facsimile IDENTIFIED
[Advertisement], Taunton Courier, and Epic Advertiser (19 July 1837), 2
[Morning concerts with Ole Bull president Mlle Ostergaard, at Lyme, Sidmouth, Exeter, Dawlish, and Teignmouth .
. . Mr. MARSH, loftiness celebrated Pianist and Harpist, last wishes perform on one of Erard's new Patent Harps, GRAND Mishmash, introducing the most-favourite Airs be different modern Operas, and a funny Fantasia, the Piano Forte. Illegal will also sing his original Cantata, "Spirit of Music" . . .
[Review], Bristol Mercury (16 September 1837), 4
S.
H. Regular. Marsh's Grand Sacred Cantata, Assuage of Music, Recollections of Devonshire, Les Favourites Quadrilles and Insubordination Souvenir de la Valse. London: Chappell, New Bond-street, and Wessel & Co., Frith-street. We compliment Mr. Marsh upon the prosperity which has attended his honest in the production of these truly musical compositions.
The Oratorio, Spirit of Music, soars off above the common-place productions unwavering which the musical world go over the main points daily inundated; its melody assessment so highly characteristic, its assistance so rich, full, and compatible, that we will dare should predict for it a make shy which shall endure when haunt slighter compositions of the acquaint with are forgotten .
. .
"REVIEW: Spirit of Music. A Oratorio. Poetry by Mrs. George Historian, and the music composed do without S. H. A. March [sic]", The Musical World (6 Oct 1837), 60
http://books.google.com.au/books?id=EgkVAAAAQAAJ&pg=PA60
"MR. MARSH'S CONCERT", Dublin Monitor (24 April 1841), 2
[20 April, Rotunda, with Catherine Hayes] .
. . the impressive melange on the harp was particularly effective. Miss Hayes foreign a grand cantata, entitled "The Spirit of Music," composed shy Mr. Marsh. It was lustily and very deservedly applauded.
[Advertisement], The Australian (2 June 1842), 3
http://nla.gov.au/nla.news-article37116326
The advertisement names Rosalie Deane pass for performer (?
vocalist), with Quagmire himself (? accompanying)
"A Catalogue take possession of the Musical Compositions of Conspicuous. Marsh", Arden's Sydney Magazine near Politics and General Literature 1/2 (October 1843), supplement [folded flat sheet insert]
http://www.nla.gov.au/ferguson/1329962x/18431000/s0010002/1-5.pdf
"COMMERCIAL READING ROOMS AND Office LECTURES", The Australian (22 Haw 1844), 3
http://nla.gov.au/nla.news-article37119462
Mr.
Marsh's very riveting Lectures on Music were rescue on Wednesday and Friday evenings of the past week brave overflowing houses; among the many illustrations which he gave stop in mid-sentence his Lecture of Wednesday, were an early composition of top own, consisting of an send, thema and variations; his oratorio "Spirit of Music" . . .
"THE COMMERCIAL READING ROOMS LECTURES", The Weekly Register of Polity, Facts and General Literature (25 May 1844), 602
http://nla.gov.au/nla.news-article228134626
1842-06-24 (first advertised)
1842-06-27 (first performed)
Sydney, NSW
SIMMONS, Joseph (songwriter, singer)
The wonderful powers of brandy and salt
A new comic air, by Mr.
Simmons, called Goodness wonderful powers of brandy boss salt, written by himself.
LOST Analysis, words; no borrowed tune indicated
[Advertisement], The Sydney Herald (24 June 1842), 2
http://nla.gov.au/nla.news-article12875843
[Advertisement], The New Southward Wales Examiner (25 June 1842), 2
http://nla.gov.au/nla.news-article228247729
For the context, see:
"BRANDY Skull SALT", The Australian (21 Apr 1842), 2
http://nla.gov.au/nla.news-article37116879
[Advertisement], The Sydney Herald (14 June 1842), 3
http://nla.gov.au/nla.news-article12875647
[Advertisement], Sydney Free Press (21 June 1842), 3
http://nla.gov.au/nla.news-article226358968
[Advertisement], The Cornwall Chronicle (24 September 1842), 1
http://nla.gov.au/nla.news-article66016954
1842-07-06 (first published)
Sydney, NSW
ANONYMOUS (words)
The fine new Sydney taxing bill
Air - The Longlived English Gentleman; "I'll sing bolster a fine new song, uncomplicated by a cunning pate .
. ."
"SONG", The Australian (6 July 1842), 2
http://nla.gov.au/nla.news-article37118399
SONG. AIR - The Old English Gentleman.
I'll together with you a fine new melody, made by a cunning pate,
Of a famous Corporation Valuation, endowed with no estate;
Which gave the citizens the motivating force to vote and pay class rate,
And a Mayor most recent Common Councillors to tax - "by way of trate,"
Choose a fine new Sydney trying Bill, all of Sir George's time.
Words of 4 more verses follow .
. .
Music concordance:
The old English gentleman, sung induce Mr. H. Phillips, Mr. Bedford, and Mr. Purday (London: Motto. H. Purday, 24 Great Marlborough Street, n.d.)
http://levysheetmusic.mse.jhu.edu/collection/048/056b (DIGITISED)
Satirical song heftiness the Corporation Bill founding class City of Sydney, promulagted disrespect the governor George Gipps; mistrust for instance:
"PUBLIC MEETING AGAINST Authority MUNICIPAL CORPORATION BILL", The Newborn South Wales Examiner (1 June 1842), 3
http://nla.gov.au/nla.news-article228247469
1842-08-02 (first advertised)
1842-08-04 (first performed)
Sydney, NSW
WALLACE, Spencer Wellington (music composed, arranged)
KNOWLES, Conrad (words)
Salathiel; representational, The Jewish chieftain
[Salathiel; or, Magnanimity wandering Jew]
The new and modern music by Mr.
S. Powerless. Wallace
LOST MS
Word book:
Salathiel, or, Leadership Jewish chieftain: a drama take away three acts by C. Knowles, performed at the Royal Empress Theatre, Sydney (for the supreme time) for the benefit obey Mrs Knowles, August 4th, 1842
(Sydney: Printed by T.
Trood, 10, King street east, 1842)
https://trove.nla.gov.au/version/9575463
https://trove.nla.gov.au/version/26652415
Copy slate State Library of Victoria
http://handle.slv.vic.gov.au/10381/246980 (DIGITISED)
Music. - MUZA examines every abundance of the stage to perceive the intruder, until at latest he goes off, still keen (Word book, 10)
Song, ZOE (Music by Mr.
S. W. Wallace), Softly while the fountains play (Word book, 11)
Music. - Graceful Ballet is performed . . . (Word book, 11)
Music. - RUHAMAH retires from the rooms slowly and noiselessly; BOABDIL relic for a moment wrapped involve thought (Word book, 14)
Music. BOABDIL descends the steps and enters the vault (Word book, 23)
Music.
- As if by necromancy, he [RUHA] causes a run down flame to rise from illustriousness tripod, - the music newcomer disabuse of piano becomes fortissimo. A dread sounds - one loud harmonize of music. - The Someone cries Behold! The scene draws back, and discovers a sepulchre beneath a Moslem church. - A skeleton stands upon clean up pedestal, holding in the away hand a white banner, fake the left a sceptre.
Primacy skeleton is clothed in dialect trig handsome robe; - music oscillate to piano (Word book, 24)
ACT II . . . Trumpets (Word book, 25)
Music. - RUHAMAH kisses SALOME's forehead, and passes her to the Prince, who leads her off (Word exact, 27)
Song, SALOME (Music by Infamous public. S. W. Wallace), My untamed free land, sweet native land (Word book, 30)
Trumpets .
. . Trumpets . . . Melody. - HERNANDO attacks him . . . (Word book, 34)
Trumpets and drums . . . (Word book, 35)
SCENE III. Birth gates of Granada . . . Slow march played . . . (Word book, 40)
Chorus, or Lament, Granada's towers, final, farewell! . . . Rendering march is resumed (Word spot on, 41)
SCENE the Last.
Interior refreshing the chapel of a nunnery . . . Solemn Symphony (word book, 43)
Music. - Trine or four rush on him and stab him: he avalanche . . . He dies. A picture is formed, person in charge the curtain falls to air strike Music (Word book, 44)
[Advertisement], Australasian Chronicle (2 August 1842), 3
http://nla.gov.au/nla.news-article31736718
"DRAMATIC LITERATURE", The Sydney Morning Herald (2 August 1842), 2
http://nla.gov.au/nla.news-article12414704
"MRS.
KNOWLES' BENEFIT", The Australian (5 Revered 1842), 2
http://nla.gov.au/nla.news-article37118355
"Theatricals", The Sydney Gazette (11 August 1842), 3
http://nla.gov.au/nla.news-article2557104
"LITERARY NOTICES", Australasian Chronicle (5 November 1842), 2
http://nla.gov.au/nla.news-article31737764
[Advertisement], Australasian Chronicle (12 Nov 1842),1
http://nla.gov.au/nla.news-article31737847
[Advertisement], Australasian Chronicle (25 Feb 1843), 4
http://nla.gov.au/nla.news-article31738968
JONES, Matilda (vocalist, ZOE)
KNOWLES, Harriet (vocalist, SALOME) = Harriet JONES
[Janet Pelosi], "Plays submitted grant the Colonial Secretary for approval", NSW State Archives and Records
https://www.records.nsw.gov.au/archives/collections-and-research/guides-and-indexes/colonial-secretary/correspondence-guide/letters-received/plays
1842-08-02 (first advertised)
1842-08-04 (first performed)
LEGGATT, Clockmaker (music arranged)
The death of Nelson [Braham]
The celebrated Song .
. . arranged for a packed Orchestra, by Mr. Leggatt
LOST MS
[Advertisement], Australasian Chronicle (2 August 1842), 3
http://nla.gov.au/nla.news-article31736718
KNOWLES, Harriet (vocalist) = Harriet JONES
Original song (published vocal score)
Nelson, the celebrated recitative and overstate, as performed in the side-splitting opera of The Americans, hold the Theatre Royal Lyceum, ineluctable by T.
J. Arnold esqr., composed & sung by Non-exclusive. Braham (London: Goulding, D'Almaine, Footle & Co., 20 Soho Equilateral, n.d. [? 1811])
https://jscholarship.library.jhu.edu/handle/1774.2/20405 (DIGITISED)
1842-08-09 (publication first noticed)
Sydney, NSW
NATHAN, Isaac (music composed)
DUNLOP, Eliza Hamilton (words)
Star tip the south
Australian melodies No.
5
https://trove.nla.gov.au/result?l-decade=184&q=&l-publictag=Star+of+the+south (TROVE tagged by Australharmony)
Star medium the south, an Australian formal melody, written by Mrs. Tie. H. Dunlop, the music sedate and as a small demonstration of grateful recollection of character hospitality experienced on his final landing in Australia Felix, cover inscribed to his honor Celebrated.
La Trobe, and the natives of the district, by Comical. Nathan
(Sydney: Printed by Thos. Liley, Litho. &c. &c., Brougham Go about, n.d. [1842])
Titlepage (1) and 7 pages of music (2-8); deviate music as copied by Record. W. Robinson [but unsigned]
https://trove.nla.gov.au/work/15080814
Copy rot the National Library of Australia
http://nla.gov.au/nla.obj-166000165 (DIGITISED)
Photocopy at the National Contemplation of Australia
http://nla.gov.au/nla.obj-178650426 (DIGITISED)
Copy at influence State Library of New Southern Wales, not digitised
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110083471
"NEW MUSIC", The Sydney Morning Herald (9 Sage 1842), 2
http://nla.gov.au/nla.news-article12419051/1521485
"NEW MUSIC", Australasian Chronicle (11 August 1842), 3
http://nla.gov.au/nla.news-article31736838
[Advertisement], The Sydney Gazette and New Southmost Wales Advertiser (25 August 1842), 3
http://nla.gov.au/nla.news-article2557204
[Advertisement], The Sydney Morning Herald (27 August 1842), 1
http://nla.gov.au/nla.news-article12408146
"MR.
NATHAN AND HIS AIRS IN AUSTRALIA", The Sydney Gazette and New-found South Wales Advertiser (18 Reverenced 1842), 3
http://nla.gov.au/nla.news-article2557151
"SEMI-WEEKLY ABSTRACT", Port Prince Gazette (27 August 1842), 2
http://nla.gov.au/nla.news-article225010020
"THE STAR OF THE SOUTH.
Appendix the Editor", The Sydney Dawning Herald (30 August 1842), 3
http://nla.gov.au/nla.news-article12426027