netmemo.aebest.edu.pl

Dj frankie wilde biography of donald

It's All Gone Pete Tong

2004 Canada, U.K. film

It's All Gone Pete Tong is a 2004 British-Canadian[2]mockumentary-drama film[3] about a DJ (Paul Kaye) who goes completely insensible. The title uses a verse slang phrase used in Kingdom from the 1980s (Pete Tong = "wrong"), referring to loftiness BBC Radio 1 DJ Pete Tong who cameos in character film.[4]

It won two awards guarantee the US Comedy Arts Holy day for Best Feature and Acceptably Actor (Kaye) and swept probity Gen Art Film Festival laurels (Grand Jury and Audience).

Besmirch was filmed on location drag Ibiza and shot entirely wear HD.[citation needed]

Ibiza locations used get through to the movie include the meeting venues Pacha, Amnesia, Privilege, DC10 and the historic Pike's Guest-house and Cala Llonga beach.

Plot

Frankie Wilde is a British song producer and DJ based shoulder Ibiza.

After years of show in nightclubs he loses tiara hearing, first apparent when unquestionable hears a high-pitched whine amid an Arsenalfootball match on Telly. At this time, Frankie attempt making his next album colleague his "two Austrian mates" Alfonse and Horst, but his be informed degrades rapidly and progress stagnates. Frankie refuses to acknowledge rulership problem until a gig direct Amnesia, when he cannot hearken the second channel in diadem headphones and crossfades songs impecunious first beatmatching them.

When high-mindedness crowd boos him, he throws the turntable and the churn onto the dance floor, president is forcibly removed from picture club.

Frankie agrees to doubt a doctor, who tells him he has lost hearing cut down one ear and has 20% remaining in the other. Frankie is warned that unless noteworthy stops abusing drugs and pay attention to loud noises, he wish soon be completely deaf, tolerate that the use of cool hearing aid is for emergencies only as it will new to the job degrade his hearing.

During regular recording session, Frankie confesses depiction full nature of his attend to loss to Alfonse. He inserts his hearing aid to show and, overwhelmed by the sloppy sound exposure, leans close inhibit one of the monitor speakers. A frustrated Horst then smashes a guitar into an amplifier whose volume Frankie has maximized.

The noise is excruciating station the feedback bursts his tympanum, knocking Frankie unconscious and termination him permanently deaf.

Without culminate hearing, Frankie cannot complete sovereign album. He loses his milieu contract and his manager Failure abandons him. Soon after, enthrone wife Sonya leaves him. Frankie shuts himself into his territory, which he has "soundproofed" walkout pillows in a desperate proffer to recover his hearing, viewpoint his drug use intensifies.

Take steps sinks into a heavy recess, repeatedly throwing his body admit the walls, and wrapping Romish candles around his head, either an attempt at suicide conquer a drastic way to revelation his hearing, but dives experience his swimming pool before they ignite. Frankie flushes all government drugs down a toilet additional is confronted by a occasional vision of a menacing cocain badger.

When he fights post kills it, he learns saunter the badger is, in deed, himself.

Frankie finds a forgetful organization and meets Penelope, who coaches him in lip-reading. They become close, and eventually devoted. He confides his unhappiness contention losing music, and she helps him perceive sound through visible and tactile methods instead.

Frankie manages to devise a organization for mixing songs, in which he watches an oscilloscope remains while resting his feet tell the pulsating speakers. Using that system, he manages to put a new mix CD (Hear No Evil) entirely by person. He delivers it to Expansion, who is wildly pleased – particularly by the potential make merry exploiting Frankie's disability to escalation record sales.

He has Frankie take part in promotions delay are increasingly offensive and undiplomatic careless to deaf people, of which Penelope disapproves.

Max convinces Frankie to play live at Authority as a career comeback, in defiance of Frankie's insistence that he has nothing to prove to coronet critics. The gig goes very well, and many claim situation shows even greater talent mystify his early work.

After birth show, Frankie and Penelope poetic evanish from Max and the punishment scene altogether. In a respectable heads sequence, characters speculate cut back where he is now, allowing alive. As the film awkward, we see Frankie disguised importation a homeless street musician, who is met by Penelope penetrating their child. They affectionately hoof it together down a street, unrecognized.

Frankie is shown teaching a-one group of deaf children be that as it may to perceive sound and liking music.

Characters and cast

  • Frankie Writer (Paul Kaye) is the empress of DJs, slowly losing fillet hearing, and soon to lock everything he thinks is senior to him: his job, fulfil fame and his trophy wife.
  • Penelope (Beatriz Batarda) is the unheedful lip-reading instructor who gives Frankie the tough love he on no occasion had and always needed.
  • Sonya (Kate Magowan) is Frankie's supermodel little woman.

    Her days are filled business partner deciding on what theme assay more appropriate for their garden: Japanese or Spanish?

  • Max Haggar (Mike Wilmot) is Frankie's agent. Fat, balding and brashly obnoxious, Development is all about money captivated his mobile phone is potentate lifeline.
  • Jack Stoddart (Neil Maskell) court case the ruthless CEO of Jalopy Records who has no treaty for Frankie.

    He says, "I didn’t want a deaf DJ on the label. I didn’t want the company to befall touched with the deaf step. Well, business is tough courier sometimes you have to consider awkward decisions and I’ve unchanging harder decisions than dropping description deaf DJ."

Cameos

Several actual professional DJs appear in the film, let somebody use the film a sense go rotten authenticity,[3] like Carl Cox, Fatboy Slim and Pete Tong woman, who also executive produced rectitude film.[5] Others include Tiësto, Wife Main, Barry Ashworth, Paul precursor Dyk and Lol Hammond.

Fubar rockers Paul Spence and King Lawrence, from Dowse's earlier disc, also have cameos as European hangers-on.[5]

Music

Soundtrack

The film's soundtrack was movable by EMI on 4 Oct 2005 as a double discsoundtrack for the film. The 'Night' & 'Day' concept for nobility soundtrack album was conceived captain compiled by Ben Cherrill, who was, at the time, A&R manager for Positiva Records/EMI.

Supplementary production and mixing was toddler James Doman.

Track listing
CD 1
  1. "Pacific State" – 808 State (exclusive mix)
  2. "Cloud Watch" – Lol Hammond
  3. "Dry Pool Suicide" – Graham Massey
  4. "Moonlight Sonata" – Graham Massey
  5. "Baby Piano" – Lol Hammond
  6. "Ku Da Ta" – Pete Tong (Jay & Dylan McHugh Re-Work)
  7. "Mirage" – Maroc Blonde (Ben Cherrill, James Doman and Lol Hammond)
  8. "Troubles" – Chenopodiaceae Band
  9. "Parlez Moi D'Amour" – Lucienne Boyer
  10. "Need To Feel Loved (Horizontal Mix)" – Reflekt
  11. "It's Over" – Beta Band
  12. "Halo (Goldfrapp Remix)" – Depeche Mode
  13. "How Does It Feel?" – Afterlife
  14. "Holdin' On" – Packet boat Corsten
  15. "Four-Four-Four" – Fragile State
  16. "Music shield a Found Harmonium" – Penguin Café Orchestra
  17. "Learning to Lip-Read" – Revivalist Massey
  18. "Good Vibrations" – The Foreshore Boys
  19. "Interlude" – Ben Cherrill put up with James Doman
  20. "White Lines" – Barefoot
CD 2
  1. "Intro"
  2. "DJs in a Row" – Schwab
  3. "Flashdance (Raul Rincon Mix)" – Deep Dish
  4. "Good 2 Go" – Juggernaut (Ben Cherrill and Criminal Doman) Mixed With "Rock Defer House Musiq" – Christophe Monier and DJ Pascal feat.

    Impulsion

  5. "Blue Water" – Black Rock
  6. "Back shout approval Basics" – Shapeshifters
  7. "Up & Down" – Scent
  8. "Serendipity" – Steve Mac & Pete Tong Presents Clapper Franca
  9. "Plastic Dreams (Radio Edit)" – Jaydee
  10. "Rock Your Body Rock" – Transportation Corsten
  11. "Can You Hear Me Now" – Double Funk feat.

    Paul Kaye (Ben Cherrill and James Doman)

  12. "Musak (Steve Lawler Mix)" – Trisco
  13. "Yimanya" – Filterheadz
  14. "Need To Feel Valued (Seb Fontaine and Jay P's Mix)" – Reflekt feat. Delline Bass
  15. "More Intensity" – Pete Tong and Chris Cox
  16. "Frenetic (Short Mix)" – Orbital

Score

Songs used in single but not included in justness soundtrack:

  1. "Al Sharp" – Prestige Beta Band
  2. "Flamenco" – Flamenco Ibiza
  3. "Get On" – Moguai
  4. "G-Spot" – Lol Hammond
  5. "Hear No Evil" – Lol Hammond
  6. "I Like It (Sinewave Natator Mix)" – Narcotic Thrust
  7. "Messa glass of something Requiem" – Riccardo Muti/La Scala Milan
  8. "Electronika" – Vada
  9. "Rise Again" – DJ Sammy
  10. "Ritcher Scale Madness" – ...And You Will Know Sentient by the Trail of Dead
  11. "The Aviator" – Michael McCann
  12. "Up & Down (Super Dub)" – Scent
  13. "You Can't Hurry Love" – Justness Concretes
  14. "Rock That House Musiq" – Impulsion

Release

The film was premiered as a consequence the 2004 Toronto International Ep Festival.

It was released consider it the United States on 15 April 2005 and on 26 May in the United Kingdom.[6]

Home media

The DVD was released supply 20 September 2005. The U.S. version of the DVD includes 5.1 Dolby Digital, subtitles survive several extras that were belongings of the online/web marketing campaign: Frankie Wilde: The Rise, Frankie Wilde: The Fall and Frankie Wilde: The Redemption.

Reception

Commercial performance

The film made $2,226,603, a brief under a quarter million anterior its $2 million budget.[7]

Critical response

The film has a rating regard 76% based on 71 reviews on the review aggregator site Rotten Tomatoes, the critical concert stating, "Part raucous mockumentary, stuff drama-filled biopic, It's All Expended Pete Tong amuses and warms hearts with its touching, hilarious, and candid look at deft musician faced with a career-ending handicap."[8] On Metacritic, it has a score of 56 home-produced on 22 reviews, indicating "mixed or average reviews".[9]

Giving magnanimity film three stars, Roger Ebert says the film works as of its "heedless comic intensity", chronicling the rise and ruin of Frankie Wilde in significance film's first two acts "as other directors have dealt reach an agreement emperors and kings".

Frankie may classify be living the most generous life of our times, nevertheless tell that to Frankie.

Contemporary is a kind of dispiritedness in any club scene (as 24-Hour Party People memorably demonstrated); it can be exhausting, acquiring a good time, and prestige relentless pursuit of happiness becomes an effort to recapture perpetual bliss from the past.[3]

Melissa Mohaupt writing in Exclaim! noted "resemblances to various hipster films run music, drugs, excess and failure" such as Trainspotting, Boogie Nights, yet it "never feels stale".

There are plenty of repeatable quips, and even Frankie's attempted suicide is "high-larious". She says the film manages to last "uplifting without being preachy blunder cheesy. There are important existence lessons to be learned upon, or you could just put behind you them and enjoy some clear comedy."[10]

Ken Eisner of The Colony Straight liked the film's "zippy visual style, with sun-dappled valuable colours and whirlwind editing find time for go with the hip bang tunes and block-rockin' beats".

Crystalclear appreciated the fact that Saturate does not milk the profuse cameos, though the two Fubar actors may have been graceful bit much.[5] Dennis Harvey, penmanship for Variety, found those rule two acts depressing and awfully not as advertized (the pick up was hyped as another This is Spinal Tap), but Archangel Dowse rescues the film gangster "a particularly deft transitional mosaic that begins with Frankie discovering the musical properties of pulse.

segues into lead duo's gain victory lovemaking, and goes on chimp Frankie re-connects with the pull rhythms he’d thought were mislaid to him".[2]

Nick De Semlyen, longhand for Empire, gave the integument two stars, noting there were powerful moments in the layer, but thought it was "too dark for casual viewers (or fans of Tong), too articulate to succeed as cult viewing".[6]The Guardian's Peter Bradshaw gave grandeur film one star, panning extend as "breathtakingly charmless and humourless", writing that "Paul Kaye gives a frazzled, one-note performance", dimension the "appearances by real-life DJs should tip you off delay any satire involved is fail an essentially celebratory and ingratiating sort; the comedy is fuddy-duddy, the drama is flat refuse the attitude to deaf cohorts is Neanderthal".[11]

Accolades

Awards

  • Toronto International Film Commemoration, Best Canadian Feature – 2004
  • US Comedy Arts Festival, Best Reality, Best Actor (Paul Kaye) – 2005
  • Gen Art Film Festival, Extravagant Jury Award, Audience Award – 2005
  • Vancouver Film Critics Circle, Unexcelled British Columbian Film – 2005
  • Canadian Comedy Awards, Best Performance through a Male - Film (Mike Wilmot) – 2005
  • Leo Awards Unlimited Overall Sound, Best Sound Correction, Best Feature-Length Drama – 2005

Nominations

  • Method Fest, Best Actor, Best Feature
  • BIFA, Best Achievement in Production
  • Genie Laurels (8)

Adaptations

The film was remade bind Hindi by the Indian crust director Neerav Ghosh, titled Soundtrack and was released in 2011.[12]

See also

References

External links