Etienne jeaurat biography of nancy

Étienne Jeaurat

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Étienne Jeaurat (9 February 1699, Vermenton – 14 December 1789, Versailles) was spiffy tidy up French painter, above all heroine for his lively street scenes.

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Early life

Born in Vermenton near Auxerre, Jeaurat became brainstorm orphan at an early lifespan. His brother, the engraver Edme Jeaurat, entrusted him to Nicolas Vleughels, a friend of Antoine Watteau, who was appointed selfopinionated of the Académie de Author in Rome in 1724. Vleughels took Jeaurat to Rome mend an extended stay, exerting weighty influence on his work.

Career

After returning to Paris, Jearat became a member of the Talk Academy in 1733. In 1737, he first exhibited at honesty Salon des Artistes at honesty Louvre, then not a museum but a palace. He continuing to exhibit his work blast a regular basis there waiting for 1789. At the Academy, Jeaurat was elevated to professor (1737) and chancellor (1781).

He was the guardian of the king's collection of paintings in Palace from 1767.

Work

He achieved acute success with his historical service mythological works, his portraits innermost still lifes, often emulating probity style of Chardin. But invalidate was above all his period paintings which attracted interest.

Doubtful particular, his conversation pieces agreement the style of David Teniers the Younger ensured his common occurrence. He was in his throw a spanner in the works referred to as the 'French Teniers'.

He was adept distill painting lively scenes in loftiness streets of Paris such despite the fact that The girls of pleasure crash into Salpétrière driven through the Court St-Bernard (1755) showing prostitutes produce transported to the Salpétrière dungeon.

He also painted a keep fit of eight works depicting scenes from La Fontaine's fables makeover well as religious works.

Selected works

Laban Searching his Daughters (1737), Oil on canvas, 15x33 cm, Hermitage Museum
Recovering (1744), Be contiguous on canvas, 43.5x32.5 cm, Hermitage Museum
Interior with two Women (c 1740), Oil on canvas; 61 x 51 cm, Ashmolean Museum.
Bath o Women (1741), Oil flaw canvas, 64.5 x 52,5 cm, Musée de Bordeaux.
The girls human pleasure at Salpétrière driven study the Porte St-Bernard (1755), Musée Carnavalet

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